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Strange celebrity ‘naked Christmas tree’ trend sparks pushback: ‘Ornaments are a must’

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As people all over the country prepare to travel to see loved ones this Christmas season, an unexpected obsession is driving home the “less is more” adage. It’s also dividing people. 

Stripped of decoration and free of clutter, the minimalist Christmas tree has become a hot trend on social media feeds, with bare trees lit by nothing but soft white lights — or, in some cases, nothing at all. 

Celebrities including Julianne Moore, Michelle Pfeiffer, Victoria Beckham and Khloé Kardashian have embraced the look, swapping ornaments and tinsel for clean lines and quiet glows. 

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And as much as some people love it, not everyone’s a fan. 

One online user declared, “You just don’t have taste. Ornaments are a must” — rejecting the bare-tree aesthetic entirely.

A mother, father, and son are decorating a lit Christmas tree in their home.

Social media users have been showcasing minimalist Christmas trees online this season, as others push back against the less-is-more trend. (iStock)

Designers call it the “no-ornament” or “nearly naked” tree — proof that minimalism has finally reached the holidays

Some say the look is peaceful, streamlined and stress-free. 

“It’s elegant and no mess,” said one person, embracing the simplicity as a calmer, cleaner take on the holidays.

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Others think it looks unfinished, even joyless.

Some families have chosen the middle ground — placing one minimalist tree in the living room for style, then a second upstairs for the kids to decorate.

A mother and daughter are decorating their Christmas tree with gold and red decor.

Some families are adding a second Christmas tree to balance today’s fashionable minimalist style with long-embraced family tradition. (iStock)

The appeal of the minimalist tree goes beyond simple looks. Many people are choosing to have smaller gatherings and honor budget-friendly traditions. 

With fewer decorations to buy and store, people are saving money. It’s also about practicality: In households with kids or pets, fragile ornaments and dangling decorations can quickly turn into hazards.

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Retailers have taken notice, offering pre-lit trees and neutral decorations that appeal to the growing demand for a cleaner look.

“A traditional Christmas tree will always be in style.”

Jacqueline Whitmore, an etiquette expert based in Florida, told Fox News Digital, “As my aunt used to say, ‘Different strokes for different folks.’ Minimalism is a choice, not an obligation.”

She added, “The etiquette is this: Don’t chastise someone who decides not to decorate their tree the way you might expect them to. Less is more (especially when it comes to negative comments).”

Decorated Home Interior With A Christmas Tree And Christmas Presents

“Different strokes for different folks,” said an etiquette expert about today’s trending Christmas-tree style.  (iStock)

Still, some people can’t resist criticism. 

One TikTok user asked, “I wonder how many kids don’t get to decorate their tree nowadays.”

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For many, classic Christmas trees tap deeply into nostalgia — with ornaments including handmade crafts from school, photos from other years and gifts collected over time. 

A festive living room with a closeup of the decorations on the Christmas tree.

For many families, traditional trees showcase years of handmade ornaments and precious memories. (iStock)

“I can tell you where each of my special ornaments came from, and I wouldn’t trade that for the most ‘perfect’ tree,” said one person online. 

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Another added, “A traditional Christmas tree will always be in style.”

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Curie Oncology and Oncoshot Deploy AI to Improve Patient Outcomes in Asia

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SINGAPORE, Dec. 15, 2025 /PRNewswire/ — Curie Oncology, one of Southeast Asia’s fastest-growing private oncology networks, has partnered with Singapore-based health-tech company Oncoshot to deploy AI-powered clinical research tools that help patients gain faster access to clinical trials.

From left to right: Ruslan Enikeev, CTO and cofounder of Oncoshot; Adrian Chan, integration project manager at Oncoshot; Chua Chee Yong, CCO of Oncoshot; Dr Toh Chee Keong, medical oncologist at Curie Oncology; and Jing Yee Ooi, trial research coordinator at Curie Oncology.
From left to right: Ruslan Enikeev, CTO and cofounder of Oncoshot; Adrian Chan, integration project manager at Oncoshot; Chua Chee Yong, CCO of Oncoshot; Dr Toh Chee Keong, medical oncologist at Curie Oncology; and Jing Yee Ooi, trial research coordinator at Curie Oncology.

The partnership marks one of the first real-world implementations of oncology-focused AI within a regional private cancer group, complementing earlier deployments across Singapore’s public healthcare system.

Curie Oncology: using AI to bring more trials to patients

Curie Oncology currently runs numerous clinical trials across Singapore and Malaysia. As the group expands its research footprint, the volume of data required to identify eligible patients has increased significantly.

Digitalisation in healthcare has generated large volumes of data with valuable clinical insights. This information ranges from structured datasets like lab results to unstructured content such as free-text notes created inside and outside clinical environments. Yet over 80% of health data is unstructured, making it difficult for research teams to process efficiently or consistently. These limitations create significant barriers for researchers who need reliable, analysis-ready information.

Through the partnership, Curie Oncology is now using Oncoshot’s AI tools to rapidly structure and analyse clinical data, enabling its oncologists and research teams to identify eligible patients sooner and offer access to ongoing trials more efficiently.

“Oncoshot helped us restructure our rich clinical and genomic data. We can now use natural language to query this information, enabling us to match patients to innovative therapies, improve patient outcomes, and perform cost-benefit analysis,” said Dr Toh Chee Keong, medical oncologist and head of research at Curie Oncology.

AI as an enabler: Oncoshot’s role in supporting Curie’s research teams

Oncoshot’s platform functions as a secure, behind-the-scenes engine that converts unstructured oncology documents into research-ready datasets. During Curie Oncology’s rollout, the AI system:

  • Extracted and de-identified data with over 95% accuracy, even across varied source systems
  • Allowed research coordinators to spend more time on patient-facing and trial-critical tasks, instead of repetitive data processing

Oncoshot’s role is to support, not replace, Curie’s clinical research processes. The AI system helps teams screen faster, run feasibility checks more consistently, and scale their research programmes without requiring proportional increases in manpower.

“Our focus is to enable clinicians and research staff to do what they do best: care for patients and run high-quality clinical studies,” said Dr Huren Sivaraj, CEO and head of clinical AI at Oncoshot. “AI simply removes the manual bottlenecks that make oncology research and access to innovative trials so resource intensive.”

Public and private sector adoption

Curie Oncology is among the first private oncology networks in Asia to deploy Oncoshot’s AI platform, extending the company’s work with earlier public-facing collaborations across Singapore’s cancer research ecosystem.

This includes earlier collaborations such as the 2022 project with Icon Cancer Centre and Roche to digitise genomic data, a workflow that has since been fully automated, as well as deployments with Tan Tock Seng Hospital and the National Cancer Centre Singapore which were highlighted in presentations at the International Association of Cancer Registries (IACR) 2025.

Together, these implementations illustrate how AI can support both public and private cancer institutions in processing unstructured oncology data securely and efficiently. Oncoshot’s federated architecture ensures that raw patient data remains within each institution’s environment, while maintaining compliance with HIPAA, GDPR, and Singapore PDPC regulations.

About Curie Oncology

Curie Oncology is a multi-site regional oncology group operating across Singapore, Malaysia, and the Philippines, with active collaborations in Indonesia and Vietnam. With a strong emphasis on clinical research, Curie runs numerous ongoing studies, providing patients with access to new therapies and precision oncology approaches.

About Oncoshot

Oncoshot is an oncology-focused AI company that helps hospitals and cancer centres transform unstructured clinical data into secure, analysis-ready datasets. Its in-premise medical LLM and federated architecture reduce friction in data extraction and standardisation, giving clinical and research teams faster access to the information needed for feasibility assessment, study planning, and real-world evidence generation.

By strengthening the data foundations that underpin oncology research, Oncoshot enables partners to accelerate cancer R&D and improve patient access to innovative treatments.

Visit www.oncoshot.com for more information.

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Moutai Returns to its Origin of World Fame, 110 Years from its Debut on Panama Expo

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SAN FRANCISCO, Dec. 15, 2025 /PRNewswire/ — On December 7th and 8th, visitors lined up to see the wonder of a Moutai themed event at the Palace of Fine Arts in San Francisco. Moutai, the renowned Chinese baijiu brand, made its debut outside China on Panama Expo in the city 110 years ago. By celebrating the 110-year-anniversary, Moutai restated its commitment to indulging spirit lovers around the globe and demonstrated the brand philosophy sitting on aging. The grand event offered an immersive and engaging experience to know about the Chinese baijiu, past and present.


I. Returning to the Origin: Coordinates of a Liquor and a City in Time

The bond between Moutai and San Francisco dates a long while back.

In 1915, the Panama-Pacific International Exposition was held in San Francisco. This world’s fair, the largest in the first half of the 20th century, lasted nearly 10 months, becoming a collective memory for San Franciscans and an early celebration of globalization, as well as the starting point for Moutai’s global expansion. Moutai,  stored in the earthenware jars, traveled across the ocean and made its international debut here, winning a Gold Medal. This has long been written into the shared  history of the brand and the City of San Francisco.

A century later, in 2015, San Francisco’s then-mayor Edwin Lee designated November 12 as “San Francisco Moutai Day,” recognizing the brand’s role in fostering cultural exchange between China and the United States and strengthening local economic ties. The milestone made Moutai the first eastern brand to be honored with an official commemorative day in a major Western city – marking its evolution from a diplomatic spirit to a global cultural emblem.

By 2025, Moutai had grown into a global spirits powerhouse with a market value approaching 282 billion U.S. dollars, and had become one of China’s most recognizable cultural ambassadors.

These three milestones clearly outline Moutai’s wake to become a world-class player.  Moutai’s global journey began with that 1915 Medal won in San Francisco. For a long time since 1949, Moutai had served as a cultural envoy in China’s diplomatic events, extending China’s warm hospitality to guests like President Nixon and those at the Geneva Conference. With the climbing of Moutai’s production capacity, the famous baijiu has been gaining popular appreciation, and breaking its diplomats exclusive status. Today, Moutai is purposefully cultivating its world market while standing fast in its core production region and embracing ESG value, and a global community of “Moutai Aficionados” is gradually coming into being.

The return of the Moutai delegation, led by Group Vice General Manager Zhang Guichao, to its world fame origin in San Francisco is a latest move to stronghold the brand’s global aspirations and a kind gesture to the northern American market.

II. Discovering Shared Memories: Activating Brand Resonance Through Historical Depth

The two-day cultural exhibition, “San Francisco: In Search of Our Shared Memories,A Chinese Brand’s Perspective on 1915,” was led by a replica of a 1915 Exposition commemorative postcard and unfolded through four chapters: “Shared Memory of 1915,” “A World Progressing in 1915,” “Moutai at the 1915 Expo,” and “Setting Sail for 2025.” This structure systematically brought this century-spanning memory back to life, creating a vivid and interactive dialogue space.


Guests enjoyed Moutai cocktails at the bar in the prologue hall, in a relaxed atmosphere filled with jazz music and began their exploration. American “Moutai Aficionados” enthusiastically viewed and discussed with their peers. The transcending from a commercial activity to a cultural event illustrates the wide recognition and trust Moutai has gained over the past century.

A unique art installation named Jinshan recreated the historical moment of the opening of the Panama Canal in moving projection, taking viewers back to that era of industrial wonders. The screen paneled wall, which recorded 31 participating countries and 18 million visitors in Panama Expo, also drew in crowds.

From the photos of the Chishui River wharf, by which Moutai was made, in the early 20th century, to the first employee roster of Moutai, the handwritten factory history, and finally that precious Expo medal, these tangible exhibits enabled the American public not only to “see the story”, but also to “touch history”, and to feel the Chinese national brand’s holding fast on craftsmanship and ecological values.

The brilliance of the exhibition lay in skillfully integrating Moutai’s brand history into the urban memory of San Francisco and the civilizational history of World Expos, providing a panoramic perspective for the century-old story. This method of showcasing “shared memory” effectively bridged cultural barriers, transforming Moutai from a historical award winner into an active storyteller and witness to history.

According to cultural scholars in San Francisco, this exhibition filled in a gap in the local memory of the Expo by providing an Eastern perspective. Moutai used material objects and vivid narratives to prove that cultural heritage and compelling brand stories could break cultural boundaries.” For Moutai, the grand narrative of the exhibition itself was a direct expression of “Moutai embracing the world and growing in sync with global civilizations, and its vision.” It made faded old photographs, authentic historical documents, precious archival materials, and warm urban memories interplay and shine, ultimately converging into a “cultural memory event” that the public could perceive, participate in, and inherit.


III. Toasting at “Moutai Night”: Crafting Shared Value Through Aroma

On the evening of December 7, Kweichow Moutai hosted a Moutai Night to commemorate the 110 Years Journey to the World, honoring the 1915 Panama-Pacific International Expo Gold Medal and the 2015 Establishment of the ‘San Francisco Moutai Day’.

Guests of distinguished political and business backgrounds from the United States, along with Chinese diplomats to the US, Moutai’s American distributors and aficionados attended the celebration.

Moutai Group Chairman Chen Hua welcomed guests via video at the gala. “San Francisco is where our global story began,” said Chen. “From here, Moutai’s reputation spread and grew, evolving into the world’s leading spirits brand and a truly global icon of Chinese craftsmanship.” Chen noted that Moutai is made using one of the oldest and most intricate fermentation methods in the world, with every drop reflecting generations of Chinese skill and tradition. He also warmly invited guests to visit Guizhou to experience the unique terroir behind Moutai.

Representatives from the Chinese Consulate and San Francisco City Government congratulated Moutai on its dual-anniversary and recognized its positive role in promoting understanding, friendship and cooperation between China and the U.S.

During the banquet, guests enjoyed baijiu and fine cuisine along with meticulously arranged stage shows, including a short film named 1915 to 2025: Kweichow Moutai: A 110 Years Journey to the World. The Chinese and Western cultural elements in shows made an attempt to formulate shared value and raised heated talks among guests.

Through its series of events in the United States, Moutai demonstrates its commitment to actively integrating into the local market and takes the initiative to act as a friendly envoy promoting cultural exchange between the two countries.

From now on, when people recall the glory of San Francisco in 1915, the aroma of Moutai will become an indispensable footnote in those memories. As a world-renowned brand refined through millennia-old craftsmanship, Kweichow Moutai’s journey with the world continues to intertwine with global cultural progress – together distilling the next century-long chapter.

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New data reveals Americans who ‘crave closeness’ with others turning to popular outdoor activity

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Many Americans are searching for ways to feel more connected to other human beings today — with a new study suggesting that a certain outdoor activity holds promise for accomplishing just that. 

For some, camping in the great outdoors has become a way to step away from daily pressures and spend time in open-air environments that encourage not just balance but also connection.

Campspot’s 2026 Travel Trend Outlook reported recently that 75% of travelers seek a stronger sense of community, according to the Michigan-headquartered online marketplace. Travelers blame work-life imbalance, fewer shared experiences and increased screen time for the way they feel, the study noted.

DOLLY PARTON REIMAGINES TRAVEL FOR TRUCKERS, FAMILIES AND ROAD TRIPPERS IN HOT NEW VENTURE

Jeff Bettin, general manager of marketplace at Campspot, said in a release, “We’re seeing travelers crave not just quiet, but closeness — whether it’s with family, friends or complete strangers around a campfire.”

Mental health and relationship expert Argie Allen-Wilson, Ph.D., who was not affiliated with the study, told Fox News Digital the unique social and emotional environment of campgrounds can help people build trust with others.  

Group of older adults relaxing at a forest campsite, sitting in a circle of camping chairs, chatting and drinking hot beverages near a tent and a small fire pit.

Many Americans have turned to camping as a way to connect with others — and leave behind their everyday pressures.  (iStock)

“When we step into a temporary community like a campground, the social rules shift,” said Allen-Wilson, based in Philadelphia. 

“People show up with fewer labels, fewer expectations and less pressure to ‘perform’ the roles they hold in their day-to-day lives.”

She said this shift “levels the playing field” — making people more willing to engage with one another. 

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The shared purpose of being outdoors to explore, unplug and rest can create what she described as a natural sense of psychological safety.

People may feel more at ease creating small but meaningful moments of connection that can ease feelings of isolation, she suggested.

Group of campers setting up a tent together in a forest campsite with backpacks, chairs, and gear on the ground.

The shared purpose of being outdoors to explore, unplug and rest can create what one mental health and relationship expert described as a natural sense of psychological safety. (iStock)

People make an average of four new friends during camping trips, Campspot said — a reflection of how social connections can form in these environments.

Also, as the National Park Service (NPS) noted on its website, outdoor activity can reduce depressive thoughts and help reset natural sleep rhythms, both of which support better mental and physical health.

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Allen-Wilson said spending time in nature can have a powerful impact on emotional well-being.

She said she’s found in her clinical work that when people step away from a constant barrage of noise and activity, it allows their nervous system to settle and reset.

Group of hikers walking along a mountain trail overlooking a wide valley filled with autumn trees.

Once the noise of daily life quiets down, many campers find themselves more open to interaction and community, said a mental health professional.  (iStock)

As a result, once the noise of daily life quiets down, many campers find themselves more open to interaction and community.

“Camping reminds us that humans are wired for connection,” she said.

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“When you strip away distractions, people tend to lean toward one another instead of away.”

On a Reddit site devoted exclusively to camping topics, one user drove home the sentiment in a recent message. 

“It’s been a long time since something that simple made me feel that relaxed.”

“Camping with friends is unbeatable,” the person titled the post. 

“We went camping this weekend, and it ended up being one of those trips where everything goes slightly wrong but somehow makes the whole thing funnier,” the person wrote. 

woman outdoors in nature

“When you strip away distractions, people tend to lean toward one another instead of away,” said one expert.  (iStock)

For example, the user went on, “one friend brought a tent that literally sagged inward like it was trying to give up on life.”

However, once the person and the whole group “finally got everything set up … the whole night felt easy in a way I haven’t felt in a while,” the individual added. 

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“Waking up cold and stiff wasn’t ideal, but it was still worth it, since it’s been a long time since something that simple made me feel that relaxed.”

Another person wrote, “We had rain, gear failure (my stove broke) and a surprise swarm of bees, but honestly, it was one of the most memorable trips of the year. It sounds crazy, but battling the elements brought everyone closer, and the problem-solving was tons of fun. It made me realize that a ‘bad’ trip often produces the best stories.”

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Brendon McCullum admits ugly airport incident with Seven cameraman ‘wasn’t ideal’ ahead of third Test

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England coach Brendon McCullum has admitted the clash between a team security guard and a Channel 7 cameraman at Brisbane Airport “wasn’t ideal”.

The overzealous security staff physically confronted Seven’s Nick Carrigan as players were preparing to board their flight to Adelaide on Saturday, despite the experienced cameraman keeping a respectful distance between he and the players as they walked through the airport.

WATCH THE VIDEO ABOVE: Security guard shoves cameraman at aiport.

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McCullum said under the concentrated microscope of Ashes coverage, the team has handled itself in a professional manner — but that Saturday’s incident was poor.

“I didn’t see it, but obviously it wasn’t ideal,” McCullum told reporters after landing in Adelaide on Sunday afternoon.

“Hopefully it’s been dealt with, and everyone’s able to move on.

“We know that coming to Australia, there’s a lot of eyeballs and a lot of intense scrutiny on everything you do, and I feel like we’ve managed ourselves pretty well throughout this tour.”

England security lash out at a Channel 7 camera operator.
England security lash out at a Channel 7 camera operator. Credit: 7NEWS

Grilled on the team’s controversial getaway to Noosa, McCullum stood firm that it was an important part of the tour which had been planned 12 months out, regardless of their 2-0 series deficit.

“Noosa was excellent for us; it was planned a year ago and it was quite an important period where we could recalibrate a little bit,” he said.

McCullum also drew criticism after the second Test for saying “if anything”, his side was “over-prepared”, despite skipping tour matches before each of the first two Tests.

“What I meant by us being over-prepared, is we had five intense training sessions, where in my opinion, we left ourselves a fraction short in terms of our energy and ability to play what was in front of us,” he clarified on Sunday.

“On that wicket, it required quite a different game to what you train in the nets. You have to think on your feet, you have to be able to manoeuvre your game.

“If you over-prepare or over-train based on how many balls you hit on a true surface, it can leave you a little over-prepared in that moment.”

England coach Brendon McCullum speaks to Channel 7 commentators after his team went 2-0 down at the Gabba.
England coach Brendon McCullum speaks to Channel 7 commentators after his team went 2-0 down at the Gabba. Credit: Seven

Needing to win in Adelaide to keep the Ashes alive, McCullum has vowed not to make knee-jerk reactions to England’s team, unfazed by the fact his job could be on the line.

McCullum confirmed on Sunday that England would stick with the same top seven for the third Ashes Test, as they fight to stay in the series and avoid going down 3-0.

It means the tourists will keep the under-fire Ollie Pope at No.3, with McCullum declaring there was no consideration at all to move Ben Stokes up the order.

McCullum rarely speaks publicly in the lead-up to matches, but suggested he was doing so on Sunday to take the heat off his players after two big losses.

“Knee-jerk reactions and chopping and changing settled batting line-ups is not really our way,” McCullum said.

“We know we haven’t got enough runs so far in the series. We’ve been in positions where we could have and we’ve made mistakes. That can happen at times.

“But for us to go on and win the series it’s not about throwing out what’s been successful for us over the past few years.

“It’s about having more conviction. It’s about making sure that we have our plans and our disciplines around it screwed down a touch more.

“It’s making sure we walk out and we’re part of the loop and what we’re capable of achieving.”

England coach Brendon McCullum will keep Ollie Pope at No.3 for the Adelaide Test.
England coach Brendon McCullum will keep Ollie Pope at No.3 for the Adelaide Test. Credit: AAP

McCullum believes the flatter Adelaide wicket could suit his side, while also hinting at rotating his bowling attack.

This week looms as potentially era-defining for both McCullum and England, having spent three and a half years preparing for this Ashes tour.

And while the fearless Bazball approach had success early in McCullum’s tenure, the tourists are yet to face 80 overs in an innings in the first two Tests.

McCullum last year inked a new three-year deal to take him until the end of 2027, but the reality is his job could be under threat if England go 3-0 down this week.

“I don’t know (if it is), but it doesn’t really bother me to be honest,” McCullum said.

“You have conviction in what you’re doing, and whatever happens, happens.

“I certainly don’t coach to protect a job. I coach to get the best out of people, and that’s the same with the skipper.

“We came here with high hopes and high expectations. We had a plan that we felt was going to be successful to give ourselves the best chance of being successful.

“We haven’t quite executed that so far and Australia receives those key moments and hence they sit 2-0 up. It doesn’t mean that we throw that plan out.

“Now, if anything, we just need to chisel away at some of the things we haven’t got right and make sure that we still have that conviction in what we’re trying to achieve.”

With AAP

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Hobart Hurricanes power to maiden WBBL title as skipper Elyse Villani gets fairytale retirement

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Former Australia international Elyse Villani has walked away from the WBBL in fairytale fashion after leading the Hobart Hurricanes to their first women’s title.

The Hurricanes now hold the BBL and WBBL trophies after Villani’s chargers romped to an eight-wicket win over Perth Scorchers in front of a 5000-strong home crowd at Bellerive Oval on Saturday.

The 36-year-old, who has played 99 games for Australia, revealed post-match it was her last WBBL game.

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“It’s a fairytale ending and in elite sport it’s very rare to have that,” she said.

“It has been playing on the back of my mind this season and I was hoping this could be the way it finished.

“I was 80 per cent sure this was the way it was going to go to retire after the game, but as soon as we won, I knew this was the moment.”

Villani has played all 11 WBBL seasons, at the Perth Scorchers and Melbourne Stars before Hobart, and finished runner-up three times.

She joined the Hurricanes for the 2022/23 competition, after the team had finished in last spot three of the previous five seasons.

They’ve since built their roster and only dropped two games this year.

The Hobart Hurricanes celebrate their brilliant triumph in the WBBL final over the Perth Scorchers.
The Hobart Hurricanes celebrate their brilliant triumph in the WBBL final over the Perth Scorchers. Credit: AAP

“Sometimes you can have a really good list and feel the pressure of that list,” Villani said.

“But what this group has done really well is that at different points in the season different people performed.”

Villani said she would continue to play for Tasmania in the 50-over format and would move to an off-field role with the Hurricanes.

“Cricket has been something that has been a big part of my life and something I’ll miss a lot but at the same time you can’t sort of live this dream forever,” she said.

The Hurricanes kept Perth to 5-137 before opener Lizelle Lee turned on the jets with an unbeaten 77 from just 44 deliveries.

“I play a high-risk game. Sometimes it pays off and sometimes it doesn’t. I don’t think it has sunk in yet,” Lee said.

Lee’s knock, which included 10 fours and four sixes, came 11 months after Mitch Owen bludgeoned 108 on the same ground to deliver the Hurricanes their first BBL trophy.

“They’ve won it and they’ve set an example. It was great to do the same,” Lee said.

Perth coach Becky Grundy was disappointed her side didn’t put their best foot forward but said she was proud of their fight to get to the decider.

“We would have taken this at the start of the tournament, to be in a final. Unfortunately not to be. They outplayed us,” she said.

Scorchers legspinner Alana King, who was in good form heading into the contest, copped some punishment and went for 0-25 off two overs.

Lee shared a 77-run partnership with England captain Nat Sciver-Brunt (35 off 27) to iron out the majority of the chase.

Earlier, Perth won the bat flip and opted for first knock but struggled to get their innings going, despite Hobart missing chances in the field.

In-form opener Beth Mooney (33 from 26) was dropped three times in the powerplay before being bowled by Heather Graham in the 11th over.

Graham (2-26) also picked up the big scalp of Scorchers’ skipper Sophie Devine.

New Zealand international Devine, who was dropped on 27, was circumspect early but came to life with two sixes, before getting stumped in the 17th over.

Hobart’s English spinner Linsey Smith bowled just two overs but finished with a valuable 2-4.

The Hurricanes earned a direct passage to the final after ending the season atop the table, while Perth, who were gunning for their second title, won two finals games to qualify.

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Want to avoid getting sick on a plane this holiday season? Medical expert reveals best seat

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Americans nationwide are getting ready to travel for the Christmas and holiday season, with many flying to see friends and loved ones. A record 3.1 million travelers were screened by the TSA on the Sunday of Thanksgiving weekend — and even more are expected over Christmas.

But with crowded airports and packed planes, it’s easy for illness to spread.

The biggest risk for travelers won’t be what they touch — but what they breathe, said Dr. Neha Pathak, chief physician editor of health and lifestyle medicine at WebMD. 

NATION’S ‘MOST STRESSFUL’ AIRPORT CALLED OUT IN STUDY FOR POOR CHECK-IN TIMES, DEPARTURE DELAYS

“Most respiratory viruses like flu or COVID spread mainly through the air and [through] close contact, not from tray tables or armrests,” Pathak told Fox News Digital.

She added, “Your hands are really the critical piece here. . . . If you clean them regularly and avoid touching your face, you can dramatically reduce any risk that comes from surfaces.”

Interior of commercial airplane with passengers in their seats during flight.

With packed planes and crowded airports a sure thing this holiday season, it’s easy for illness to spread. A medical expert revealed the best place to sit to avoid getting sick.  (iStock)

She said that when it comes to surfaces, the classic “stomach bug” is the pathogen that concerns her most.

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It’s “incredibly hardy,” she said, referring to viral gastroenteritis — an intestinal infection that includes such symptoms as watery diarrhea, stomach cramps, vomiting or nausea and more, according to the Mayo Clinic. “And it can survive on surfaces for days.”

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She added, “That makes it the perfect candidate for surface transmission in places like airplanes — especially bathrooms and high-touch areas.”

London, UK - May 12, 2013: Flight crew and passengers on board an Easyjet flight from Ajaccio to London. IATA forecast shows that airlines expect to welcome 3.6 billion passengers in 2016.

When it comes to surfaces, the classic “stomach bug” is the pathogen that concerns one medical expert the most. (iStock)

“The virus that gives you vomiting and diarrhea is more likely to hitch a ride on a tray table than the viruses that cause flu or COVID,” she said.

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With that in mind, Pathak revealed that to avoid getting sick, a window seat far from the bathroom is the best place to sit on an airplane. 

Holiday travelers at Chicago airport in busy terminal

A record 3.1 million travelers were screened by the TSA on the Sunday of Thanksgiving weekend — with more expected during Christmas travel.  (Jim Vondruska/Getty Images)

“You will have fewer people brushing past you, less exposure to aisle traffic and, overall, fewer close contacts,” said Pathak.

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She also recommended wearing a mask for those wishing to avoid getting sick.

middle seat airplane

One doctor always turns on her overhead air vent on planes, she said.  (iStock)

Pathak said she turns on her overhead air vent, washes and sanitizes her hands frequently, and avoids touching her face — especially her mouth or nose — while traveling on a plane. 

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SmallRig and FamilyLens Launch Global Family Filmmaking Initiative at 3rd FamilyLens International Film Festival

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The Initiative Aims to Address the Pain Points of Family Filmmaking 

BEIJING, Dec. 13, 2025 /PRNewswire/ — On December 6th, the 3rd FamilyLens International Film Festival opened in Beijing. SmallRig, a global specialized provider of imaging solutions, collaborating with FamilyLens, is empowering family filmmaking through various initiatives, including the Family Filmmaking Co-Creation Initiative, a dedicated family filmmaking kit, and a social impact screening program.

On-site at the 3rd FamilyLens International Film Festival
On-site at the 3rd FamilyLens International Film Festival

Deepening the “Co-Creation Initiatives”

The Co-Creation Initiatives are a series of global creative initiatives open to filmmakers and image creators worldwide. Through deep collaboration across multiple dimensions — including product co-creation, discovery and promotion, and content co-creation — SmallRig aims to expand the boundaries of mobile filmmaking and bring the spirit of Free Your Dream to life with creators everywhere.

Following the launch of the Mobile Filmmaking Co-Creation Initiative at the 14th International Smartphone Film Festival, SmallRig announced the launch of the Family Filmmaking Co-Creation Initiative on December 6th at the 3rd FamilyLens International Film Festival. The initiative invites global creators and every family to participate, focusing on three core directions: product co-creation, work promotion, and content co-creation, to explore the possibilities of family filmmaking for everyone.

Zhou Yang, Founder and CEO of SmallRig, and Gu Xue, Founder and Director of FamilyLens International Film Festival
Zhou Yang, Founder and CEO of SmallRig, and Gu Xue, Founder and Director of FamilyLens International Film Festival

Mr. Zhou Yang, Founder and CEO of SmallRig, shared the inspiration for the initiative: “The initiative is rooted in the immense universality and profound emotional depth inherent in family narratives, which serve as a common emotional bond connecting global audiences. We firmly believe that in this era, where everyone can be a content creator, every family can and should film their own story. The instinct to create is deeply embedded in the human spirit, and every home is the origin of countless narratives.”

Gu Xue, Founder and Director of the FamilyLens International Film Festival, stated: “We hope that people and practitioners around the world who care about family movies can find suitable solutions and gain insights from the Co-Creation Initiatives. We look forward to more and more people exploring the field of ‘Home’ together through this initiative.”

SmallRig experts demonstrate the use of the Family Filmmaking Kit during the workshop
SmallRig experts demonstrate the use of the Family Filmmaking Kit during the workshop

To address the pain points of family filmmaking, SmallRig officially released the SmallRig Family Filmmaking Kit at the opening ceremony. The kit includes a high-quality microphone, fill light, and a portable tripod, specifically designed to achieve “professional function democratization” and “complex feature simplification.” During the FamilyLens Workshop, attendees experienced the convenience of the equipment firsthand. Many expressed that the kit truly solves many problems, enabling ordinary families to complete necessary filming without specialized photography knowledge.

Social Impact Screening Program

The 3rd FamilyLens International Film Festival is open to the public from December 6th to 14th. The festival opened with the screening of well-received documentary: K-Family Affairs. In addition to the competition section, the festival features several distinctive sections, including the Reframing Home Movies— An Italian Retrospective, Youth Film Program,  Filmmaker in Focus, and the Social Impact Program. Four major awards, such as the Real-Life Portrait Award and the Artistic Exploration Award, will also be presented.

As a key component of the Co-Creation Initiatives, the SmallRig Image Development Fund partnered with the FamilyLens International Film Festival to curate the “Social Impact Screening Program.” This unit focuses on elevating awareness of critical issues within the family unit, advocating for a new reflection: “Starting with Seeing, Concluding with Understanding.”

Arum Nam, Director of K-Family Affairs, stated:

“Starting with the stories of your family, your friends, and yourself, I believe this personal narrative can connect directly to the bigger society.”

SmallRig believes that truly meaningful social impact storytelling stems from awareness in proximity—achieved by using the lens to penetrate the daily surface and enabling a deep, empathetic “Seeing with Empathy.”

The four featured works in this unit are:

  • People of the Ascent
  • Granny’s Lost and Found
  • Ruixi at Fourteen
  • No Country For My Maternal Grandma

These films highlight four family issues that require “seeing”: the yearning of left-behind children, the mental isolation of Alzheimer’s patients, the elderly searching for subjectivity in their drifting lives, and the emotional volatility and struggle of Bipolar Disorder.

Strategic Outlook and Future Expansion

SmallRig will continue to support the Family Filmmaking Co-Creation Initiative’s deep development through promotional campaigns and practical workshops focused on family movie scenarios.

The overall goal of SmallRig’s Global Co-creation Initiative is to continuously explore and meet the growing, diverse needs of global creators across different vertical domains. SmallRig is committed to persistently expanding the co-creation model into more imaging sectors, collaborating with industry partners to push the boundaries of imaging and grant global creators broader creative freedom.

About SmallRig

Founded in 2013, SmallRig is an innovation-driven global company that designs and manufactures comprehensive support solutions and accessories for all content creation needs. Trusted by over four million creators globally, SmallRig pioneered the User Co-creation Design (UCD) philosophy and the DreamRig Program.

For more information, visit: www.smallrig.com.

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Collingwood gun Bobby Hill battling hamstring issue in another setback after nightmare year

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Collingwood star Bobby Hill has suffered another setback in his bid to return to the senior team in 2026.

7NEWS reporter Xander McGuire has revealed Hill had an interrupted start to pre-season training, battling the hamstring issue that has further complicated his return to form.

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The 25-year-old was already on a modified program before the injury, meaning he’s yet to complete main training with his teammates.

There is optimism that he’ll return to full training in the new year, but it’s another setback for one of Collingwood’s most dangerous weapons.

Hill managed just one senior appearance after Round 15 this year due to personal issues and a lack of conditioning.

The 2023 Norm Smith medallist came on as the substitute in Round 21, but was overlooked for the Magpies’ two finals.

He was also subjected to trade rumours during the off-season, but nothing eventuated.

Hill, who joined the Pies from GWS at the end of 2022, is contracted until the end of the 2030 season.

Bobby Hill is on a modified program at Collingwood training.
Bobby Hill is on a modified program at Collingwood training. Credit: Getty

Superstar Nick Daicos has also been on light duties after recently revealing to 7NEWS that he pushed through this year’s finals campaign with not one, but two, serious injuries.

Daicos told 7NEWS he had to have an enforced layoff after carrying bone stress in the fifth metatarsal of his right foot through the finals campaign.

The Magpies vice-captain also revealed that he suffered a left posterior cruciate ligament (PCL) injury just days before the preliminary final clash with the Lions.

“I didn’t need any surgery, just more time off,” Daicos told 7NEWS last month.

Determined to push through the pain and inspire his side to success, the injury would have ruled him out for several months if it occurred during the season, but the extent of the damage only came to light through post-season scans.

“I’m building up my training loads (now),” Daicos told 7NEWS.

“It’s been a little bit frustrating at times, you naturally want to be doing everything you can but naturally (they) had to force me to get some time off.”

But Daicos said that had probably been “a good thing” and was hopeful that it would be a benefit “in the long run”.

So, after a quiet off-season, Daicos will now complete just over 50 per cent of training before taking a break over Christmas.

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TSA is giving airline passenger data to ICE for deportation push: NYT

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An employee with the Transportation Security Administration (TSA) checks the documents of a traveler at the Hollywood Burbank Airport in Burbank, California, U.S., Oct. 1, 2025.

Daniel Cole | Reuters

The Transportation Security Administration is giving U.S. immigration officials the names of every airline traveler as part of the Trump administration’s widespread deportation program, The New York Times reported Friday.

TSA, several times per week, gives Immigration and Customs Enforcement a list of travelers expected to be passing through airports, the Times reported.

ICE can then match the list against its own database of people subject to deportation and send agents to the airport to detain those people,” the newspaper said.

ICE and TSA are both divisions of the Homeland Security Department.

A Homeland Security spokesperson, in a statement to CNBC, said of the Times report, “This is nothing new.”

“Back in February, Secretary [Kristi] Noem reversed the horrendous Biden-era policy that allowed aliens in our country illegally to jet around our country and do so without identification,” the spokesperson said. “Under President Trump, TSA and DHS will no longer tolerate this. This administration is working diligently to ensure that aliens in our country illegally can no longer fly unless it is out of our country to self-deport.”

The Times said that it is not known how many people have been arrested as a result of TSA’s information sharing.

But the newspaper said it had obtained documents that indicate the program led to the Nov. 20 arrest at Boston’s Logan Airport of a college student, Any Lucía López Belloza, who was deported to Honduras two days later. López had been on her way to visit her family in Texas for the Thanksgiving holiday.

The Times previously reported that López was brought to the United States from Honduras at age 7, and that her family said neither they nor she knew she was subject to a deportation order.

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