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Sands China Celebrates Grand Opening at Hong Kong’s Art Central

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Sands Gallery as bridge bringing Macao artists onto international art stage
Contemporary artworks presented alongside century-old firecracker history 
Showcasing vibrant energy of Macao’s art and cultural scene

MACAO, March 24, 2026 /PRNewswire/ — Sands China celebrated the grand opening of its Sands Gallery booth Tuesday at Art Central, Hong Kong’s premier international art event. The booth features artworks by three of Macao’s forward-looking, promising young artists – Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man – alongside a historical collection from “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers” currently on view at Sands Gallery in Macao. Together, the booth offers a magnificent display of Macao’s enduring artistic charm to visitors.

Guests of honour officiate the opening ceremony of the Sands Gallery booth, presented by Sands China Tuesday at Art Central, Hong Kong’s annual premier international art event at Central Harbourfront.
Guests of honour officiate the opening ceremony of the Sands Gallery booth, presented by Sands China Tuesday at Art Central, Hong Kong’s annual premier international art event at Central Harbourfront.

Sands China’s participation in Art Central reaffirms the company’s commitment to promoting the development of art and culture in Macao. Since the establishment of Sands Gallery as a permanent art space in 2022, the company has consistently leveraged the gallery as a bridge connecting Macao artists with the global art world. Its debut appearance at Art Central not only brings emerging Macao artists onto an international stage, but also reflects the growing recognition of Sands Gallery within the international art scene. The opening day welcomed nearly 100 distinguished guests from Hong Kong and Macao to mark a new milestone in the development of Macao’s art scene.

Sands China is the first integrated tourism and leisure enterprise from Macao invited as an Associate Partner to join Art Central. In alignment with the Macao SAR government’s policy of diversified development, Sands China has long supported the integration of culture and tourism. Through presenting Sands Gallery at Art Central, the company seeks to further strengthen the gallery’s role as an international cultural portal for Macao – a portal that helps Macao artists expand onto global platforms, thereby elevating the international competitiveness of Macao’s arts and cultural sector and its talent development, while constantly fostering the city’s vibrant and diversified development.

The Sands Gallery booth will be open to the public March 25-29, presenting more than 40 artworks, including distinctive pieces from the three Macao artists. Their works and artistic visions demonstrate a high international standard, while reflecting deep connections to Macao’s urban life and cultural identity. Lei draws on scientific theory as the foundation of aesthetics, transforming artificial spectra, proportional values, and geometric structures into repetitive, precise blocks of colour and surfaces of light that reflect the fluidity and changes of urban life. Leong interrogates shifting notions of value and cultural interfaces that shape identity, informed by his personal migration history. His works examine the tension and intricate relations between Macao culture and artistic essence. Lio blends Japanese manga and Western painting into his practice in a distinctive approach, creating imaginative narratives and artistic spaces that resonate with both ordinary and philosophical experiences.

Dr. Wilfred Wong, executive vice chairman of Sands China Ltd., said: “Since the establishment of Sands Gallery in 2022, Sands China has been committed to fostering cultural exchange between Macao and the world – by leveraging the gallery as a bridge that brings the world of international art into Macao, while carrying Macao’s rich artistic vision to the world. After four years of dedicated efforts, we are honoured to be the first integrated tourism and leisure enterprise from Macao participating in Art Central as an Associate Partner. Today, we are delighted to introduce three exceptionally promising young artists from Macao — Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man — showcasing their creative flair to international audiences. Through the power of art, we hope to bring the world closer and deepen people’s understanding of one another.

“Macao is a city shaped by over four centuries of cultural exchange between East and West. To reflect this heritage, we are also presenting elements of our special exhibition, ‘A Century of Iec Long Firecracker Factory in Radiance,’ currently on view at Sands Gallery in Macao, enabling global audiences to experience this shared memory of Macao’s vibrant days. By participating in this year’s Art Central, we aim for Macao to be a wider international cultural portal, highlighting the stories of Macao artists — and to leverage art as a bridge for global understanding, so we may flourish and grow together.”

Lei said: “I would like to express my gratitude to Sands Gallery for supporting me on my artistic journey. From participating in the collateral exhibition for Art Macao at Sands Gallery a few years ago to being here at Art Central today, every step has held great significance for me. The three series on display took me 10 years to complete, and their rich content reflects my unwavering dedication to artistic practice and exploration. With the support of Sands Gallery, I believe that we can use Art Central as a platform to exchange ideas with artists from around the world while elevating my work to new heights.”

Leong said: “It was an honour to participate in a collateral exhibition for Art Macao at Sands Gallery a few years ago. I am honoured to join hands with the gallery once again to bring my recognised works to Art Central. Our participation in this prestigious art event not only opens a window for the future development of Macao’s art and cultural industry, but also allows the city’s distinctive artistic and cultural heritage to shine on the global stage. With the support of Sands Gallery and the showcase of my multimedia works that blend Eastern and Western cultures, we can unleash more opportunities to establish a presence on the global art scene and allow Macao artists to be seen by wider audiences.”

Lio said: “It is my first time participating in Art Central, and I am truly honoured to have been invited to an international platform outside Macao to showcase my works to global audiences and connect with artists from around the world. I am grateful to Sands Gallery for providing Macao artists with such a valuable opportunity to pave the way onto the global stage, showcasing the city’s creative flair to the world. Through this exhibition, I hope my works can reach more people and bring them a sense of resonance and joy, while demonstrating the strength of Macao’s art scene to the world.”  

Showcasing the diverse cultural heritage of Macao through contemporary art and century-old industrial craftsmanship

The Sands Gallery booth is also being presented in conjunction with “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers,” currently on view at Sands Gallery in Macao. Marking the centenary of the Iec Long Firecracker Factory, the booth is also presenting original Macao firecracker packaging labels. Through artistic expression spanning different eras, the exhibition showcases the enduring innovation and creative vitality of Macao’s arts and cultural landscape.

In addition, Professor Ung Vai Meng, distinguished professor of the Faculty of Humanities and Arts at the Macau University of Science and Technology and curator of the Iec Long firecracker exhibition, will host a seminar at the Art Central Theatre March 29. Titled “Aesthetics in a Square-Inch: A Century of Visual Culture Change Through Macao’s Firecracker Packaging,” the seminar will delve into the development and aesthetic spirit of Macao’s firecracker industry, bringing the cherished memories of its century-old industrial heritage to the global stage.

The booth’s opening brought together nearly 100 distinguished guests, including Macao government officials and representatives from the fields of art and culture, tourism, academia, and media. Moreover, Sands China specially arranged tours guided by professionals from Art Central for the guests to visit both the Sands Gallery booth and other participating galleries. The initiative aims to encourage Macao’s various sectors to broaden their international horizons by fostering deeper exchanges with global artists, galleries, and collectors, thereby enhancing their artistic perspectives.

Guests of honour at Tuesday’s opening ceremony were: Stanley Mok, general manager of the Macau Government Tourism Office Representative Office in Hong Kong; Corey Andrew Barr, fair director of Art Central; Lok Hei, president of the Macau Artist Society; Professor Ung;
Macao artists Lei, Leong, and Lio; Dr. Wong; and Devonne Iao, senior vice president and chief marketing officer of resort marketing for Sands China Ltd.

For more information about the Sands Gallery booth, please visit https://en.sandsresortsmacao.com/sands-lifestyle/sands-art-gallery/art-central-202603.html.

For more information about Art Central and ticketing, please visit artcentralhongkong.com.

About Sands Gallery

As an art space located at The Grand Suites at Four Seasons Hotel Macao, Sands Gallery is dedicated to bringing diverse art exhibitions to the city, fostering the sustainable development of Macao’s cultural and creative industries.

Since its establishment in 2022, the gallery has hosted 12 exhibitions of varied styles, introducing artworks of international and national calibre while also providing opportunities for local artists to showcase their works and connect with the global art stage.

Through continued endeavours in Macao’s arts and cultural sector, Sands China has built the Gallery into a platform of artistic weight and cultural depth, injecting multicultural vitality into Macao, enriching the artistic experiences of residents and visitors, and enhancing public appreciation of art. At the same time, it fully supports the Macao SAR government’s policy of promoting travel development, contributing to Macao’s growth as “a base for exchange and cooperation where Chinese culture is the mainstream and diverse cultures coexist.”

About Sands China Ltd.

Sands China Ltd. (Sands China or the Company) is incorporated in the Cayman Islands with limited liability and is listed on The Stock Exchange of Hong Kong Limited (HKEx: 1928). Sands China is the largest operator of integrated resorts in Macao. The Company’s integrated resorts on the Cotai Strip comprise The Venetian® Macao, The Plaza® Macao, The Parisian® Macao and The Londoner® Macao. The Company also owns and operates Sands® Macao on the Macao peninsula. The Company’s portfolio features a diversified mix of leisure and business attractions and transportation operations, including large meeting and convention facilities; a wide range of restaurants; shopping malls; world-class entertainment at The Venetian Arena, The Londoner Arena, The Venetian Theatre, The Parisian Theatre, The Londoner Theatre and Sands Theatre; and a high-speed Cotai Water Jet ferry service between Hong Kong and Macao. The Company’s Cotai Strip portfolio has the goal of contributing to Macao’s transformation into a world centre of tourism and leisure. Sands China is a subsidiary of global resort developer Las Vegas Sands Corp. (NYSE: LVS).

For more information, please visit www.sandschina.com.

About Art Central

Art Central, a cornerstone event of Hong Kong Art Month, presents the next generation of talent from Asia’s most forward-thinking galleries alongside celebrated artists from across the globe. Since its inaugural edition in 2015, Art Central has established itself as a leading platform for innovation in contemporary art, advancing the profiles of artists and galleries and reinforcing their presence within the international art landscape. Today, the Fair is recognised for the strength of its curatorial programming and as a vital meeting point for discovery and exchange among collectors and curators representing private, corporate, and institutional collections worldwide.

Media contacts:

Corporate Communications, Sands China Ltd.

Mabel Wu

Tel: +853 8118 2268

Email: mabel.wu@sands.com.mo

Jesse Chiang

Tel: +853 8118 2054

Email: jesse.chiang@sands.com.mo

Artist Profiles


Lei Ieng Wai

The 39-year-old artist is a graduate of the Oil Painting Department of the Guangzhou Academy of Fine Arts, holding both bachelor’s and master’s degrees. He currently serves as director of the Macau Artist Society, and vice president of the Macau Youth Art Association, and is a renowned and influential artist in Macao.

Lei acquires creative inspirations from the tension of light and shadow in everyday life. He draws on scientific theory as the foundation of aesthetics, transforming artificial spectra, proportional values, and geometric structures into repetitive and precise blocks of colour and surfaces of light, exploring urban changes and the lives of city dwellers.

He has held solo exhibitions in Portugal, Taiwan region, and Macao SAR, and participated in group exhibitions in the Chinese mainland, Macao SAR, Portugal, the United Kingdom, Spain, Australia, and the United States, including Art Madrid 2018, Affordable Art Fair New York, Affordable Art Fair Hampstead, and the collateral exhibition of “Art Macao: Macau International Art Biennale 2023.”


Leong Chi Mou

The 34-year-old artist graduated from the Macao Polytechnic University’s Faculty of Art and Design with a Bachelor of Arts degree in Visual Arts (Oil Painting). He is a member of the Macau Artist Society and one of Macao’s most influential emerging artists.

His works span both painting and installations. His practice interrogates shifting notions of value and the cultural interfaces that shape identity, informed by personal migration histories and Macao’s post-colonial context. Through these inquiries, Leong’s works examine the conditions of cultural survival and the intricate entanglements between artistic essence and value systems.

Beyond his solo exhibitions in Macao, he has participated in group exhibitions across the Chinese mainland, Portugal, Belgium, Japan, and other countries and regions. Notable appearances include the 23rd Shanghai Art Fair, the Shenzhen Art Fair, the Guangzhou International Art Fair, the collateral exhibition of “Art Macao: Macao International Art Biennale 2023,” and the Belgian exhibition “Surrealistic Chinoiserie: Golden City of Seres – A Cultural and Artistic Exchange Exhibition and Performance between Macao and Antwerp.”


Dor Lio Hak Man

The 49-year-old artist serves as vice-director of the Macau Artist Society, vice president of the Macau Youth Art Association, council member of the Society of Urban Sketchers Macao, and a member of Comic’s Kingdom Macau. He teaches visual art at a Macao high school and via private lessons.

Born into an artistic family and graduating from City University of Macau, he channels influences from Japanese manga and Western painting into a practice grounded in everyday observation. His work records daily encounters, emotional impressions, and imaginative associations with a relaxed sensibility. He shapes a refined, philosophically attuned visual language that bridges interior experience with an outward-facing openness.

He has held solo exhibitions such as “Festa – Exhibition of Works by Lio Hak Man” in Macao and participated in group exhibitions in the Chinese mainland, Portugal, and South Korea, including “FEBRE: 15 Contemporary Artists from Macao” in Lisbon, “Beijing-Macao Art Teachers Group Exhibition,” and the “South Korea-Hong Kong-Macao Joint Art Exhibition.”

The Sands Gallery booth features artworks by three of Macao’s forward-looking, promising young artists – Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man – alongside a historical collection from “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers” currently on view at Sands Gallery in Macao. Together, the booth offers a magnificent display of Macao’s enduring artistic charm to visitors.
The Sands Gallery booth features artworks by three of Macao’s forward-looking, promising young artists – Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man – alongside a historical collection from “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers” currently on view at Sands Gallery in Macao. Together, the booth offers a magnificent display of Macao’s enduring artistic charm to visitors.

The Sands Gallery booth features artworks by three of Macao’s forward-looking, promising young artists – Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man – alongside a historical collection from “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers” currently on view at Sands Gallery in Macao. Together, the booth offers a magnificent display of Macao’s enduring artistic charm to visitors.
The Sands Gallery booth features artworks by three of Macao’s forward-looking, promising young artists – Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man – alongside a historical collection from “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers” currently on view at Sands Gallery in Macao. Together, the booth offers a magnificent display of Macao’s enduring artistic charm to visitors.

The Sands Gallery booth features artworks by three of Macao’s forward-looking, promising young artists – Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man – alongside a historical collection from “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers” currently on view at Sands Gallery in Macao. Together, the booth offers a magnificent display of Macao’s enduring artistic charm to visitors.
The Sands Gallery booth features artworks by three of Macao’s forward-looking, promising young artists – Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man – alongside a historical collection from “A Century of Iec Long Firecracker Factory in Radiance – An Exhibition on the Resonant History and Aesthetic Memory of Macao Firecrackers” currently on view at Sands Gallery in Macao. Together, the booth offers a magnificent display of Macao’s enduring artistic charm to visitors.

Sands China celebrated the grand opening of its Sands Gallery booth Tuesday at Art Central, Hong Kong’s premier international art event.
Sands China celebrated the grand opening of its Sands Gallery booth Tuesday at Art Central, Hong Kong’s premier international art event.

Source: Sands China Ltd.

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HD Hyundai Conducts Large-Scale Medical Mission in Subic, Philippines

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  • Medical staff from Ulsan University Hospital and employees of HD Hyundai Heavy Industries Philippines provide care to about 750 local residents
  • HD Hyundai operates a shipyard in Subic and participates in the Philippine Navy’s modernization program

SEOUL, South Korea, March 24, 2026 /PRNewswire/ — Ulsan University Hospital, under the Ulsan Industrial Education Foundation affiliated with HD Hyundai, launched a six-day large-scale medical mission in Subic on March 16, providing essential health care services to approximately 750 local residents.

From March 16 to March 21, medical staff from Ulsan University Hospital and employees of HD Hyundai Heavy Industries Philippines delivered healthcare services to about 750 local residents in Subic, Philippines.
From March 16 to March 21, medical staff from Ulsan University Hospital and employees of HD Hyundai Heavy Industries Philippines delivered healthcare services to about 750 local residents in Subic, Philippines.

The initiative, which ran from March 16 to March 21, mobilized a specialized medical team from Ulsan University Hospital alongside employees from HD Hyundai Heavy Industries Philippines and local government officials. The mission focused on expanding healthcare access in the region while deepening ties between South Korean medical experts and the Subic community.

The initiative has been recognized as a model for corporate-hospital social contribution, combining Ulsan University Hospital’s medical expertise with HD Hyundai Heavy Industries Philippines’ global infrastructure to foster sustainable growth alongside the local community.

Through its shipyard operations, HD Hyundai supports the Philippine Navy’s modernization efforts, producing a range of sophisticated fleet assets including frigates and offshore patrol vessels (OPV).

The mission coincides with HD Hyundai’s expanding maritime operations in the country. In May 2024, HD Korea Shipbuilding & Offshore Engineering signed a lease agreement with Cerberus Capital Management for a portion of the Subic shipyard. By September 2025, the newly established HD Hyundai Heavy Industries Philippines reached a major milestone with the steel-cutting ceremony for its first vessel, a 115,000-deadweight-ton petrochemical product carrier.

Beyond commercial shipbuilding, HD Hyundai Heavy Industries has emerged as a primary partner in the Philippine Navy’s fleet modernization program. The company has secured orders for 12 naval vessels, including frigates, corvettes, and OPVs. To date, every vessel delivered under these orders has been handed over ahead of schedule, reinforcing the company’s reputation for reliability and technical performance.

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James Hird weighs in on Essendon’s dreadful start to 2026 as Tim Watson calls club ‘a dispirited organisation’

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Essendon champion and former coach James Hird has spoken out about his club’s diabolical start to the 2026 season, and admits his phone was lighting up in the aftermath of the 63-point loss to Port Adelaide on Sunday.

Hird’s name continues to be mentioned as pressure ramps up on coach Brad Scott, and, appearing on 3AW radio station, he was directly asked about his phone activity after Essendon’s latest insipid effort.

WATCH THE VIDEO ABOVE: The wheel of blame at Essendon

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“The Essendon natives are pretty restless, put it that way,” Hird said.

Hird — a premiership captain, a two-time premiership player, a Brownlow medallist, a Norm Smith medallist — is a much-loved figure at Essendon despite the fact he was the coach during the club’s infamous doping scandal.

And the 53-year-old said he had empathy for Scott and understood the current coach’s frustration with his players.

Brad Scott is feeling the heat and we are not even at Round 3.
Brad Scott is feeling the heat and we are not even at Round 3. Credit: Seven

“You send your team out there with a game plan … and you expect them to do it, and they don’t execute,” Hird said.

“From the coaches’ box, it’s very hard to rectify that during the game.

“Look at Hawthorn, they’re fantastic at ball movement, you look at (the Western Bulldogs), they’re great around the contest, they get the ball to their forwards.

“You look at Essendon and you can’t see what they’re trying to do, and I think that’s the frustrating thing for the Essendon fans.”

Hird said the thing that Scott needed to urgently fix was the team’s contested game.

“I think if you’re building any team, you’ve got to start with the contest … there’s more goals scored off transition now and there’s more about ball movement and that’s a very important part of the game,” Hird said.

“But if you don’t get your contest … right from the start, you really rely on the other team to give you the ball back, or win it back to start your attack.

“I don’t think anyone who is an Essendon supporter went into this season thinking it was going to be a top-eight season.

“It was more we want to see the growth in younger players … we want to see the midfield connect with the forward line and we want to see a defence that stands up under pressure, not allow uncontested marks.

“So it will take time, and we understand that, but how do we see growth from the contest and defence, ultimately?”

AFL expert Kane Cornes unveiled a “wheel of blame” on Channel 7’s The Agenda Setters on Monday night, and apportioned some blame on Hird from his time as coach in the early to mid-2010s.

Scott held a significant portion at 19 per cent on the Cornes’ blame wheel, but that fell just under former list manager Adrian Dodoro (21 per cent), while the high-performance team (17 per cent) and Zach Merrett (11 per cent) were also key factors.

Hird was at four percent of the blame, disgraced biochemist Stephen Dank was at two per cent, while current players Darcy Parish and Ben McKay both featured at two per cent as well.

Cornes even had the fans on the wheel at three per cent.

Cornes’ ‘wheel of blame’.
Cornes’ ‘wheel of blame’. Credit: Seven

The Bombers haven’t won a final since 2004 and that doesn’t look like changing this year.

Coaching legend Kevin Sheedy has championed a return of Hird to the club, while former player Dean Solomon is on Scott‘s coaching panel and another name in the background.

Meanwhile, another club great Tim Watson said Scott’s job could be under threat if he can’t address the defensive problems.

“There’s no defensive mechanism that’s been apparent about the way he’s implemented his game plan,” Watson said on SEN.

“He’s had four pre-seasons now to do that and it’s still not apparent. You build a defence first which Essendon hasn’t been able to do.”

Last year an injury-hit Essendon were smashed by 100-plus point on 11 occasions.

“They had weaker personnel at their disposal but if you continue to get belted by those margins every week for four years then history tells you that you are going to be under threat as a coach,” Watson said.

“They are at ground zero in their rebuild … A dispirited organisation is what they look like right now.”

The Bombers face North Melbourne on Saturday in what suddenly looms as a crunch game for Scott and his players.

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ICE deployed to some U.S. airports as long security lines persist during partial shutdown

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Ice agents look on as travelers stand in long lines at Atlanta Hartsfield-Jackson International Airport on March 23, 2026 in Atlanta, Georgia.

Megan Varner | Getty Images

NEW YORK — Andrew Leonard showed up at John F. Kennedy International Airport at 4:45 a.m. on Monday for his 7 a.m. flight to Seattle. Nearly two hours later, he made it through security and to his gate just in time for boarding.

“I fly out of this terminal all the time and this is insane,” said Leonard, a 34-year-old performing arts teacher in New York who was en route to Seattle ahead of a family vacation to Hawaii.

He is one of tens of thousands of travelers around the U.S. who are facing extra-long security wait times at major airport hubs such as Atlanta, New York and Houston due to elevated absences of Transportation Security Administration officers. TSA workers are facing a second missed full paycheck this week as a partial government shutdown continues.

The Trump administration on Monday deployed Immigration and Customs Enforcement agents to several U.S. airports.

White House border czar Tom Homan said Sunday the administration would send ICE agents to airports on Monday to help ease security lines amid the Department of Homeland Security shutdown.

DHS blamed Democrats for the shutdown and travel problems in an emailed statement to CNBC.

A Transportation Security Administration (TSA) agent looks on passengers queue to go through security at New York’s LaGuardia airport on March 22, 2026.

Charly Triballeau | Afp | Getty Images

“This pointless, reckless shutdown of our homeland security workforce has caused more than 400 TSA officers to quit and thousands to call out from work because they are not able to afford gas, childcare, food, or rent,” the department said.

DHS and TSA didn’t immediately respond to a request for comment on how many ICE agents would be deployed, where and what their duties will be.

Read more about the impact on air travel

Homan told CNN’s “State of the Union” on Sunday that the ICE agents will be “helping TSA move those lines along,” including by guarding exit doors to relieve TSA agents so they could screen travelers. “We’re simply there to help TSA do their jobs in areas that don’t need their specialized expertise.”

TSA’s more than 50,000 officers have been working without their regular paychecks since the partial government shutdown began in mid-February. The shutdown comes as Democrats in Congress demand changes to how federal immigration enforcement operates in exchange for releasing DHS funding after two U.S. citizens were shot and killed by officers in Minneapolis. 

Hundreds of TSA officers have quit since the shutdown started, according to their union, the American Federation of Government Employees.

The security line at John F. Kennedy International Airport on Monday, March 23, 2026.

Leslie Josephs/CNBC

Members of the travel industry, including airline executives, have blasted lawmakers for failing to pay essential government workers during repeated shutdowns that have snarled travel.

In early 2019 and in late 2025, two federal government shutdowns ended shortly after travel disruptions escalated following higher-than-typical absences of air traffic controllers. Their pay isn’t affected by this impasse.

New York’s LaGuardia Airport was closed on Monday morning following a collision of an Air Canada regional jet and an emergency vehicle on Sunday night. Some passengers told CNBC they had switched to fly out of Kennedy because of the disruptions.

The Federal Aviation Administration issued a short ground stop at Newark Liberty International Airport in New Jersey on Monday morning after air traffic controllers evacuated the tower because of a burning smell coming from an elevator, adding to travel chaos around New York City.

CNBC’s Garrett Downs contributed to this article.

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Youhug Media Hosts “Radiant Vision of Chinese Content” 2026 New Series Gala: Unveiling a Blockbuster Slate and Pioneering AI Drama Strategy

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HONG KONG, March 23, 2026 /PRNewswire/ — Youhug Media recently concluded its prestigious “Radiant Vision: Youhug 2026 New Series Gala” in Hong Kong. During the event, the company unveiled an ambitious release slate featuring highly anticipated titles such as Blossoms of Power, Rebirth, The Awakening, Ctrl+Alt+Life, Confessions, The Road to Splendor, and Have it All. Beyond its diverse lineup of TV and film projects, Youhug Media officially announced a groundbreaking strategic roadmap for AI-generated drama series, demonstrating its vision and commitment to content innovation and industrial evolution. The gala saw the appearance of lead actors and creative teams who shared insights into their latest works, while official trailers and posters were released simultaneously online, garnering significant attention from industry professionals and audiences alike.


A Diverse Slate of Premium Productions Captivates the Industry

Themed “Radiant Vision,” the gala showcased a massive array of upcoming projects. Distinguished guests in attendance included Li Xiaojun, Director of the Sichuan Provincial Radio and Television Bureau; Zhang Hai, Deputy Director of the Sichuan Provincial Radio and Television Bureau; Xu Jingyi, Head of the TV Drama Division of the Shanghai Municipal Administration of Culture and Tourism; Chi Xiaoling, Second-level Investigator of the Radio, TV, and Online Audio-Visual Program Division of the Shanghai Municipal Administration; and Lu Jian, Chief Representative of the Hong Kong Trade Development Council in East China.

Lu Chao, President of Youhug Media, delivered an opening address outlining the company’s future strategy. He emphasized that “elevating quality is the ultimate weapon against change,” and pledged to “actively embrace AI empowerment to better tell Chinese stories”.

The project showcase kicked off with Blossoms of Power, starring Meng Ziyi and He Yu. The teaser’s tense score and powerful performances highlighted a world of undercurrents, where Eastern aesthetics meet a complex game of power, emotion, and destiny. This was followed by the hot-blooded period epic Rebirth, starring Li Yunrui, Huang Yang Tiantian, and Zhang Kangle. The series follows the journey of Zhuge Yue (Li Yunrui) and Chu Qiao (Huang Yang Tiantian) as they survive the Battle of the Icy Lake to bring peace to the world.

Ranging from Eastern aesthetic power struggles to hot-blooded ensemble epics, the latest slate from Youhug Media showcases a vast array of genres and distinct styles, designed to comprehensively meet the diverse preferences and high expectations of global audiences. Furthermore, Youhug Media remains steadfast in its commitment to a diversified strategic roadmap for film and television development.

Youhug’s 2026 lineup further expands into diverse genres:

  • The Awakening: A hardcore revenge action drama starring Zhang Kangle as a prisoner who endured trials in Heiyuan Prison from a young age. He escapes to Wangcheng to avenge his father, where he befriends Qi Jun (Zhou Jieqiong) and becomes entangled in the power struggles between the Yihesheng gang and the city’s rulers.
  • Ctrl+Alt+Life: This annual hot-blooded growth drama stars Zeng Shunxi, Zhang Kangle, Liu Xiening, and Jiang Lai. The story follows an accidental identity swap between two young men—one shedding his halo to rediscover his passion, while the other rises to the top of the competitive arena—offering a profound reflection on the choices and destinies of youth.
  • Confessions: This highly anticipated psychological thriller reunites the creative team behind The Pig, The Snake, and The Pigeon, starring Ethan Juan, Gingle Wang, and Yi-wen Chen. The narrative begins with a 2004 bombing and kidnapping case in Taipei that entwines three innocent families in a 20-year cycle of intergenerational conflict. Utilizing a highly stylized audiovisual language, the series explores the abyss of human nature and fissures in human nature through themes of high-stakes revenge and psychological fractures.
  • The Road to Splendor: Directed by Deng Ke and written by Nan Zhen, this period road movie stars Ding Yuxi and Deng Enxi. Moving beyond traditional domestic settings, the series uses a novel Eastern aesthetic to portray the survival and mutual redemption of salt merchant Zhao Ling and fallen noble daughter Fu Tingyun as they navigate a chaotic world.

Pioneering the AI Frontier and Future IP Ecosystem

Beyond the key upcoming projects for 2026, several projects currently in development were officially announced during the gala, showcasing a vast array of genres and unique creative highlights. Among them, the period legend Have it All (Yi Shou Zhai Xing Yi Shou Chui Di), which blends Eastern classical charm with contemporary significance, was heavily announced. Starring Meng Ziyi, the series follows the journey of Princess Regent Xiao Qitang as she navigates through conspiracies, eventually rewriting her destiny with wisdom and integrity in a high-energy plot filled with constant reversals.

Additionally, the new urban romance Ai,Love (Ai De Suan Fa) released an all-AI-produced concept teaser. Moving beyond a singular romantic narrative, the series explores the dilemmas of intimacy through the lens of three urban couples, serving as a “Contemporary Urban Emotional Survival Guide.” Also unveiled was Mo Yu Ji , a high-quality production blending time travel, romance, power struggles, and light comedy, which tells a story of choice, persistence, and redemption amidst chaotic times. Furthermore, the uniquely charming new work Hong Bai Xi Shi was officially announced, using a comedic shell to explore themes of life and death, encouraging audiences to regain the courage to love and be loved.

Following the enthusiastic response to the series MOBIUS (Bu Mian Ri), a newly upgraded film adaptation is also in preparation, aiming to innovate while maintaining the core charm of the original IP. The gala also featured The Annoyance of The Gods IP, based on the blockbuster work by Ma Boyong, which will reshape the legend of Journey to the West from a fresh perspective. Other new projects announced to further enrich Youhug Media’s content layout include Jin Li Yue Long Men, Da Jiang Ben Liu, Ran Yu, and Panda (Da Xiong Mao). Notably, the drama Under the Table (Tai Di), focusing on the stakes of human nature, also garnered significant attention for its potential to provide a brand-new viewing experience.

As a leading domestic film and television content creation company, Youhug Media has long been dedicated to premium drama creation and industrial production systems. During the gala, Youhug officially announced the establishment of its AICG Lab, marking its formal entry into the AI drama series track and its commitment to empowering more AI creators. The event featured the premiere of Qin Ling Qing Tong Gui Shi Lu, a fantasy suspense short drama created through a full-chain AI process. Based on the teaser, the project demonstrates high levels of completion and aesthetic value in its world-building, character performance, and atmospheric rendering, showcasing the refreshing advantages of AI tools.

Simultaneously, the two lead characters, Qin Lingyue and Lin Xiyan, were officially “signed” as Youhug’s first AI Actors. Youhug stated that while AI technology currently shortens production cycles and reveals new possibilities for deep integration with film and television creation, it remains in an exploratory stage. The company emphasized that real emotional resonance is paramount; the performances of human actors are irreplaceable and will become increasingly precious. Consequently, AI actors will only appear in AI-specific dramas and will not be used in live-action series.

By expanding from upcoming titles to AI-driven creations, Youhug Media has formed a full-category content ecosystem where long-form dramas, films, short plays, and AI series develop synergistically across genres such as period, reality, suspense, and action. The company remains committed to building an industry benchmark that balances artistic strength with market competitiveness, delivering works with depth, warmth, and value to contribute to the high-quality development of the industry.

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Las Vegas bets big on March Madness amid city’s tourism slump that worries many

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The city of Las Vegas is going all in on March Madness as it tries to reignite tourism and reverse a growing slump. 

Resorts across the Strip are rolling out large-scale watch parties, sportsbook events and themed experiences tied to the NCAA men’s and women’s tournaments — drawing crowds for one of the busiest betting periods of the year, according to reports.

It is estimated that Americans will wager $3.3 billion on this year’s tournaments — with Nevada historically seeing hundreds of millions in bets during the event, the American Gaming Association said.

LAS VEGAS CASINO OWNER OFFERS UNIQUE DEAL TO ENTICE VISITORS BACK AMID SLUMP

Travel advisor J.R. Longstaff, based in Florida, told Fox News Digital that the tournament continues to be a major draw for visitors.

“Las Vegas is the ultimate sports fan playground to watch the NCAA tournament,” he said. “The city draws groups of fans to watch the games together on a grand scale, which helps boost tourism and sales around the city.”

Las Vegas welcome sign with palm trees on a sunny day.

Las Vegas is going all in on March Madness events and experiences to boost tourism and counter a recent decline in visitor activity. (iStock)

“Las Vegas does everything bigger and bolder than just about anywhere else,” Longstaff added.

He pointed to large viewing venues and all-day experiences centered around the games.

TOURISTS IN LAS VEGAS PAY $1,000 FOR DINNER ON THE STRIP WHILE SHARKS EAT LIKE ROYALTY

Major venues across the city are leaning into that approach.

Resorts World is opening its theater for large-scale viewing, while the Cosmopolitan is hosting its “Hoops and Hops” watch parties with stadium-style screens and games. Fontainebleau is also offering a massive viewing experience with an 80-foot LED screen and on-site betting stations, the website noted.

las vegas scene from outdoors at night

Major venues across the city are leaning into March Madness events, with resorts hosting large watch parties and immersive viewing experiences for the tournament. (iStock)

The push comes as Las Vegas faces broader challenges in attracting visitors.

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About 38.5 million people visited the city in 2025 — down 7.5% from the year prior, according to the Las Vegas Convention and Visitors Authority.

Gaming revenue on the Strip has also declined, falling more than 11% year over year in early 2026, the Nevada Gaming Control Board said.

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Fox News Digital previously reported that the slowdown has coincided with changing travel and gambling habits.

In-person betting has become less common among younger visitors, many of whom now prefer online platforms.

las vegas casino empty

Las Vegas has been seeing a big drop in tourism, with fewer visitors and declining gaming revenue compared to previous years. (Ashley J. DiMella/Fox News Digital)

Some traditional attractions are also disappearing, as casinos adjust to shifting demand.

A Resorts World representative confirmed to Fox News Digital that its poker room is closing at the end of March, leaving just eight poker rooms operating on the Las Vegas Strip.

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Robby Starbuck, host of “The Robby Starbuck Show,” previously told Fox News Digital that younger generations are moving away from traditional casino experiences.

“Now nearly everyone under 40 who bets seems to do it online,” he said. “I don’t know one person under age 40 who goes to Vegas regularly to bet or play slots.”

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Ashley DiMella of Fox News Digital contributed reporting.

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Hankook’s iON Race Supports Competitive Racing at Historic Madrid E-Prix

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  • Formula E concluded its inaugural Madrid E-Prix at the Circuito del Jarama, where Hankook’s iON Race operated consistently across the championship’s longest circuit
  • The race marked the first single-header event to feature PIT BOOST, adding a new strategic layer alongside a revised ATTACK MODE
  • Hankook also engaged fans at the Hankook booth in the Fan Village, highlighting its iON EV tire technology

MADRID, March 23, 2026 /PRNewswire/ — Global leading tire company Hankook Tire & Technology (hereafter Hankook), the exclusive tire supplier to the ABB FIA Formula E World Championship, equipped all teams as Formula E staged the 2026 CUPRA Raval Madrid E-Prix at the historic Circuito del Jarama. The race unfolded as a strategically complex contest shaped by Pit Boost, revised Attack Mode, and the demands of the championship’s longest circuit.

On-track action from Round 6 of Formula E Season 12 at the Madrid E-Prix
On-track action from Round 6 of Formula E Season 12 at the Madrid E-Prix

Round 6 of Season 12 unfolded over 23 laps of the 3.934 km Jarama circuit, where fast-flowing corners and plenty of elevation changes placed a premium on energy management and strategic execution. The first single-header use of PIT BOOST, alongside a revised ATTACK MODE, added an additional strategic dimension for teams.

António Félix Da Costa led Jaguar TCS Racing to victory at the inaugural Madrid E-Prix, securing a 1–2 finish ahead of teammate Mitch Evans, while Pascal Wehrlein completed the podium for Porsche Formula E Team. Strategy and energy management played a key role across the 23-lap race.

Throughout the race, Hankook supplied all teams with its iON Race tire, which delivered stable grip and controlled thermal performance as track conditions evolved across the weekend. Jarama’s fast directional changes and sustained cornering loads demanded predictable warm-up characteristics and consistent traction over the full race distance. Despite limited historical race data at the venue, the tire’s balanced performance window enabled teams to commit to their PIT BOOST and ATTACK MODE strategies with confidence.

“The Madrid E-Prix offered a valuable opportunity to see how teams adapted their strategy on Formula E’s longest circuit,” said Manfred Sandbichler, Senior Director of Hankook Motorsport. “With PIT BOOST and a revised ATTACK MODE influencing race dynamics, tire consistency was an important factor as teams managed energy and race pace across the 23-lap distance. Insights from Jarama will contribute to our ongoing collaboration with the championship as the season continues.”

With Round 6 completed in Madrid, the ABB FIA Formula E World Championship now turns to Rounds 7 and 8 in Berlin, where teams will face a contrasting challenge on the championship’s established Tempelhof circuit.

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Owner of fashion label Dissh drops $9.3 million on regional hilltop estate

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The CEO and creative director of Australian fashion label Dissh has forked out more than $9 million to secure a hilltop farm with panoramic ocean views near Byron Bay.

Lucy Henry-Hicks and her partner Mitchell Lau emerged as the buyers of the 6.8-acre estate in Newrybar, which counts Australian film actor Liam Hemsworth among its residents.

The estate spans 6.8 acres.
The estate spans 6.8 acres. Credit: View

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Henry-Hicks and Lau paid $9.3 million for the hinterland acreage, High View, which was purchased from Tom and Emma Lane of the Oroton fashion family empire.

The Lanes, who sold The Ranch at Coopers Shoot for $33.6 million in 2023 and Bangalow estate Copperstone for $27.5 million last year, bought the property in Newrybar in 2023 for $8.3 million with plans to remodel it into a luxury retreat.

Read more: Liam Hemsworth unveils plans for $20 million estate near Byron Bay

A render of the plans for the site.
A render of the plans for the site. Credit: View

Those plans were scrapped and the couple decided to put it back on the market with listing agent Ruth Gotterson.

“High View and its unrivalled panoramic views promise an unparalleled beachside experience, in the ultimate lifestyle location,” the listing reads.

The property boasts panoramic ocean views.
The property boasts panoramic ocean views. Credit: View

“As the highest point on the ocean-facing ridge from Byron Bay’s iconic Lighthouse to Lennox Head, High View offers what literally no other property does in the locale – a one-of-a-kind building precedent no longer seen, situating the main residence right out to the ridgeline for views to die for.”

Read more: Oroton fashion heirs offload luxury Byron hinterland estate for around $30m

The master suite.
The master suite. Credit: View

High View comprises five bedrooms and five bathrooms across a main house and two villas.

Inside, the home features gable end windows, vaulted ceilings, polished timber floors, wood-burning fireplaces and a wrap-around verandah.

Other features include a resort-style swimming pool and spa and horse stables.

Swimming pool.
Swimming pool. Credit: View

The property has concept plans for a luxury residence designed by architecture firm MORQ.

Read more: Listed for $4.6 million, is this Australia’s most expensive swimming pool?

The multi-million-dollar transaction is the latest in a prestige property spending spree that saw the couple drop $40 million on a beachside block on the Gold Coast in 2024.

The couple paid $25.3 million for this four-bedroom, two-bathroom beachfront home at Palm Beach.
The couple paid $25.3 million for this four-bedroom, two-bathroom beachfront home at Palm Beach. Credit: View

It set a record as the most expensive residential property purchase in Palm Beach.

The 1525 square metre property is the amalgamation of three blocks sold in one line, including a 1960s-era beach shack, a villa and a timber pole house on Fourth Avenue and Jefferson Lane.

The view from the couple's new beachside buy in Palm Beach.
The view from the couple’s new beachside buy in Palm Beach. Credit: View

Cotality records show two of the three blocks are owned by Henry-Hicks and Lau, including a four-bedroom, two-bathroom property on 870 square metres that sold for $25.3 million.

A neighbouring three-bedroom, two-bathroom property that fetched $3.2 million is also held in their names.

Read more: Owners of Australian fashion label Dissh drop $40 million on Gold Coast site

The couple paid $3.2 million for this property in Palm Beach.
The couple paid $3.2 million for this property in Palm Beach. Credit: View

The third property included in the sale sold for more than $11.5 million, taking the total transaction up to $40 million.

According to reports, the three blocks were sold by former Sydney Swans AFL player and property investor Tony Smith.

Mitchell Lau and Lucy Henry-Hicks. Picture Instagram
Mitchell Lau and Lucy Henry-Hicks. Picture Instagram Credit: View

Henry-Hicks and Lau plan to build two dwellings on the site to create a sprawling beachfront compound across three titles.

The couple are cashed up after the brand took on its first major investment of $90 million from billionaire businessman Brett Blundy in exchange for 40 per cent of the business in 2024.

Lucy Henry-Hicks is the director of fashion label Dissh. Picture Instagram
Lucy Henry-Hicks is the director of fashion label Dissh. Picture Instagram Credit: View

Henry-Hicks has established herself as a fashion powerhouse since joining forces with her mother Maree Hicks, who founded the label Stiletto in the 1970s, to transform Dissh from a physical retailer into a $150 million global e-commerce brand.

Her father Melville Hicks is the co-founder of surf shop franchise City Beach.

The couple purchased this renovated home in New Farm for $5.05 million. Picture Place New Farm
The couple purchased this renovated home in New Farm for $5.05 million. Picture Place New Farm Credit: View

Other properties held by Henry-Hicks and Lau include a $5.05 million renovated 1920s home in the Brisbane suburb of New Farm.

Architect Michael Hogg designed the home with multiple living spaces, including an outdoor room, back courtyard, living room and dining room.

The property has a 14-metre lap pool. Picture Place New Farm
The property has a 14-metre lap pool. Picture Place New Farm Credit: View

The property also has a 14-metre lap pool and a rooftop terrace with panoramic city views.

Formerly known as Colehurst and renamed MM House, the residence features a dramatic architectural redesign.

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Air Canada jet hits fire truck, forcing New York’s LaGuardia airport to close

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An Air Canada Express regional jet crashed into a Port Authority vehicle on the ground after landing at New York’s LaGuardia Airport late Sunday night, forcing the airport to close.

The CRJ-900 plane, which was arriving from Montreal, struck the vehicle at about 24 miles per hour shortly before midnight, according to flight tracking website Flightradar24.

The jet was operated by Jazz Aviation, Air Canada’s regional partner. Air Canada and Jazz Aviation confirmed the incident to Fox News Digital.

“Flight 8646 was en route to LGA from Montréal (YUL),” Jazz Aviation said in a statement to Fox News Digital. “The preliminary passenger list indicates the aircraft was carrying 72 passengers and 4 crew members, although this is subject to confirmation. The incident occurred at approximately 11:47PM on March 22, 2026.”

DEAD PASSENGER ALLEGEDLY STORED IN HEATED GALLEY FOR 13 HOURS ON BRITISH AIRWAYS FLIGHT, ‘FOUL SMELL’ REPORTED

Damage to jet

An Air Canada Express CRJ-900 after a crash with a Port Authority fire truck at LaGuardia Airport in New York, on March 23, 2026. (ANGELA WEISS / AFP via Getty Images)

The U.S. Federal Aviation Administration issued a ground stop for all planes at the airport, saying there was an emergency without offering specific details.

LaGuardia’s website showed arriving planes had been diverted to other airports or returned to where they took off from.

The Port Authority confirmed that the jet collided with a Port Authority Aircraft Rescue and Firefighting vehicle.

“At approximately 11:40 p.m. on Sunday, a Jazz Aviation flight operating on behalf of Air Canada was involved in an incident on Runway 4 at LaGuardia Airport in which the aircraft struck a Port Authority Aircraft Rescue and Firefighting vehicle that was responding to a separate incident,” a Port Authority spokesperson said in a statement to Fox News Digital.

Air Canada jet on a runway in New York

An Air Canada Express CRJ-900 sits on the runway after colliding with a Port Authority fire truck at LaGuardia Airport in New York, on March 23, 2026. (ANGELA WEISS / AFP via Getty Images)

“Emergency response protocols were immediately activated,” the statement continued. “The Port Authority Police Department is on scene along with the agency’s Chairman and Executive Director. The airport is currently closed to facilitate the response and allow for a thorough investigation.”

The spokesperson added: “This is a developing situation based on preliminary information. The Port Authority Police Department is working closely with our airline partners as well as federal authorities, and will provide additional updates as more details become available.”

U.S. Secretary of Transportation Sean Duffy’s office also confirmed to Fox News Digital that the flight crashed with a Port Authority fire truck at LaGuardia Airport after the plane landed late Sunday night and that four crew members — the Captain, First Officer and two flight attendants — were among the 72 people on board.

The New York Fire Department said in a statement that it was responding to an incident involving a plane and a vehicle on the runway at LaGuardia Airport, although it did not provide additional details.

SOUTHWEST FLIGHT DIVERTED AFTER PASSENGER SCARE AS SECURITY INCIDENTS RATTLE US AIRPORTS

Emergency personnel respond to an Air Canada Express CRJ-900 after colliding with a Port Authority fire truck

Emergency personnel respond to an Air Canada Express CRJ-900 after colliding with a Port Authority fire truck at LaGuardia Airport in New York, on March 23, 2026. (ANGELA WEISS / AFP via Getty Images)

The New York City Police Department confirmed the collision but did not offer further information.

Multiple videos taken at the scene showed the jet with severe damage to the front of the aircraft.

The National Transportation Safety Board said it is “launching a go team to investigate the March 22 Jazz Aviation, Air Canada Express Flight 8646, CRJ900, airplane that collided with a fire truck on Runway 4 at LaGuardia Airport in New York.”

Fox News Digital reached out to the FAA, NTSB and LaGuardia Airport for additional information.

The New York City Office of Emergency Management said travelers should expect road closures, traffic delays and cancellations near the airport.  

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Air Canada said it was setting up a phone line for loved ones of the passengers to call for assistance. The number was: 1-800-961-7099.

Reuters and The Associated Press contributed to this report.

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A Netflix cooking show is changing how people travel — and restaurants are seeing bookings jump 303%

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SEOUL, SOUTH KOREA – DECEMBER 17, 2025: Participants Jung Ho-young, Hudukjuk, Monk Sunjae, Son Jong-won, producers Kim Eun-ji and Kim Hak-min, Yoon Jumo Yoon Nara, French Papa, Chinese Cuisine Witch, and Baby Beast pose during a press conference for the Netflix series Culinary Class Wars: Black and White Chef Season 2 at JW Marriott Dongdaemun Square in Jongno-gu, Seoul. (Photo by iMBC/Imazins via Getty Images)

Imbc | Imazins | Getty Images

South Korean Netflix show “Culinary Class Wars,” which concluded its second season on Jan. 13, has been making waves in the food industry.

Reservations and waitlists for contestants’ restaurants increased by an average of 303%, five weeks after the show’s second premiere compared to the five weeks before, according to a report from restaurant booking platform CatchTable released through South Korean media.

“Culinary Class Wars” categorizes chefs into “Black Spoons” (hidden masters) and “White Spoons” (elite) chefs, mirroring the dichotomy between street food and Michelin-starred experiences, and viewers have been eager to taste from both ends of the spectrum.

This is particularly true for millennials — those born between 1981 and 1996 — and Generation Z, born in 1996 or later, who want to experience cultures other than their own, according to Euromonitor International’s Asia-Pacific 2025 lifestyle survey.

Culinary tourism interest

Dawn Teo, chief operating officer of Singapore-based hotel and restaurant developer Amara Holdings, said that reservations for restaurants featured on the Netflix show were “impossible” during a trip she made to Seoul last October.

The show’s impact “makes people sit up and take notice,” Teo said.

South Korea’s Ministry of Culture, Sports and Tourism announced a shift to include food tourism in its 2026 strategy, it said in December — and the country isn’t alone in this increased interest in food from travelers.

In Singapore, food was one of the main drivers of record tourism spending between January and September 2025, according to the Singapore Tourism Board. Tourist receipts for food and beverage increased by 15% when compared to the same period in 2024, despite only a 2.3% increase in overall visitors.

And in Japan, around 82% of tourists reported that eating Japanese food was one of their travel expectations in 2024, up from about 70% in 2015.

Food is a way for travelers to experience authentic culture, according to Erik Wolf, executive director and founder of the World Food Travel Association.

“It’s less about the travel and more about the culture everywhere in the world. Especially after the pandemic, people are wanting to go to more rural locations, secondary and tertiary locations. They want to get to know people, and in a genuine way,” Wolf told CNBC during a call.

Gourmet-street food dichotomy

Hotels are similarly responding to this growing culinary interest.

Nearly 1 in 5 travelers specifically sought out new restaurants or culinary experiences, with 60% of luxury travelers prioritizing hotels with good food options, according to Hilton’s 2025 Trends Report.

“Restaurants today in hotels cannot [just] be hotel restaurants. They have to be restaurants as restaurants [in their own right], or venues as venues,” according to Candice D’Cruz, vice-president of Hilton luxury brands Asia Pacific.

For consumers, the focus has to be on the entire experience, from seasonal produce to where glassware is sourced, D’Cruz added. “If I’m going into Japan, I want to have the white peaches during peach season. I want to have the strawberries and the white strawberries during [the] season,” she told CNBC in an interview.

In Singapore, Amara Holdings aims to fulfill this desire for cultural experiences by providing guided tours of hawker centers and local markets, close to its flagship hotel in downtown Singapore.

It shouldn’t be considered a loss if “a guest isn’t eating with us for breakfast, lunch or dinner, if they’re going to another nearby Zi Char place or hawker center for meals,” Amara’s Teo said — Zi Char refers to inexpensive street food.

Rather, it should be considered a win when hotels are able to provide proximity to authentic cultural experiences, Teo said.

Customers look at fruits at a street market stall in Singapore, on Saturday, Jan. 31, 2026. Singapore’s tourism receipts rose 6.5% year-on-year in the first three quarters of 2025 to a record S$23.9 billion ($18.8 billion).

Bloomberg | Getty Images

Wolf pointed out that most people don’t frequently eat at high-end or gourmet restaurants when they travel, suggesting that Michelin-starred restaurants might put people off a destination since they might associate it with high costs.

While Michelin features luxurious experiences in its guide, it also highlights local hawkers or cheaper stalls. Hawker Chan, a former Michelin-starred restaurant, had a $3 chicken rice dish on its menu when it was awarded the accolade in 2016.

Yet for Eric Neo, culinary director at hotel Capella Singapore, “fine dining is more about intention, storytelling, whereby we are given the opportunity to interact, curate an experience for the guests,” whereas casual dining is more about “speed,” he said during an interview.

Capella’s tour through local markets has chefs function as guides, leading guests through the process of selecting ingredients and bringing them back into the kitchen to create a dish.

Neo also extends invitations to chefs outside Singapore, part of a desire to “bring up a learning culture between two different countries,” Neo said. Such experiences aren’t solely for hotel guests, but also for the chefs to expand their horizons, he said. Capella brought Korean-American chef and “Culinary Class Wars” contestant Edward Lee to Singapore to create a celebration dinner in August.

It’s also important to not lose sight of the historical cultural influences behind the food we consume, Wolf said, “especially the influence of women in protecting culinary culture” and “the seeds of cuisine in agriculture.”

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