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New data reveals Americans who ‘crave closeness’ with others turning to popular outdoor activity

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Many Americans are searching for ways to feel more connected to other human beings today — with a new study suggesting that a certain outdoor activity holds promise for accomplishing just that. 

For some, camping in the great outdoors has become a way to step away from daily pressures and spend time in open-air environments that encourage not just balance but also connection.

Campspot’s 2026 Travel Trend Outlook reported recently that 75% of travelers seek a stronger sense of community, according to the Michigan-headquartered online marketplace. Travelers blame work-life imbalance, fewer shared experiences and increased screen time for the way they feel, the study noted.

DOLLY PARTON REIMAGINES TRAVEL FOR TRUCKERS, FAMILIES AND ROAD TRIPPERS IN HOT NEW VENTURE

Jeff Bettin, general manager of marketplace at Campspot, said in a release, “We’re seeing travelers crave not just quiet, but closeness — whether it’s with family, friends or complete strangers around a campfire.”

Mental health and relationship expert Argie Allen-Wilson, Ph.D., who was not affiliated with the study, told Fox News Digital the unique social and emotional environment of campgrounds can help people build trust with others.  

Group of older adults relaxing at a forest campsite, sitting in a circle of camping chairs, chatting and drinking hot beverages near a tent and a small fire pit.

Many Americans have turned to camping as a way to connect with others — and leave behind their everyday pressures.  (iStock)

“When we step into a temporary community like a campground, the social rules shift,” said Allen-Wilson, based in Philadelphia. 

“People show up with fewer labels, fewer expectations and less pressure to ‘perform’ the roles they hold in their day-to-day lives.”

She said this shift “levels the playing field” — making people more willing to engage with one another. 

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The shared purpose of being outdoors to explore, unplug and rest can create what she described as a natural sense of psychological safety.

People may feel more at ease creating small but meaningful moments of connection that can ease feelings of isolation, she suggested.

Group of campers setting up a tent together in a forest campsite with backpacks, chairs, and gear on the ground.

The shared purpose of being outdoors to explore, unplug and rest can create what one mental health and relationship expert described as a natural sense of psychological safety. (iStock)

People make an average of four new friends during camping trips, Campspot said — a reflection of how social connections can form in these environments.

Also, as the National Park Service (NPS) noted on its website, outdoor activity can reduce depressive thoughts and help reset natural sleep rhythms, both of which support better mental and physical health.

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Allen-Wilson said spending time in nature can have a powerful impact on emotional well-being.

She said she’s found in her clinical work that when people step away from a constant barrage of noise and activity, it allows their nervous system to settle and reset.

Group of hikers walking along a mountain trail overlooking a wide valley filled with autumn trees.

Once the noise of daily life quiets down, many campers find themselves more open to interaction and community, said a mental health professional.  (iStock)

As a result, once the noise of daily life quiets down, many campers find themselves more open to interaction and community.

“Camping reminds us that humans are wired for connection,” she said.

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“When you strip away distractions, people tend to lean toward one another instead of away.”

On a Reddit site devoted exclusively to camping topics, one user drove home the sentiment in a recent message. 

“It’s been a long time since something that simple made me feel that relaxed.”

“Camping with friends is unbeatable,” the person titled the post. 

“We went camping this weekend, and it ended up being one of those trips where everything goes slightly wrong but somehow makes the whole thing funnier,” the person wrote. 

woman outdoors in nature

“When you strip away distractions, people tend to lean toward one another instead of away,” said one expert.  (iStock)

For example, the user went on, “one friend brought a tent that literally sagged inward like it was trying to give up on life.”

However, once the person and the whole group “finally got everything set up … the whole night felt easy in a way I haven’t felt in a while,” the individual added. 

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“Waking up cold and stiff wasn’t ideal, but it was still worth it, since it’s been a long time since something that simple made me feel that relaxed.”

Another person wrote, “We had rain, gear failure (my stove broke) and a surprise swarm of bees, but honestly, it was one of the most memorable trips of the year. It sounds crazy, but battling the elements brought everyone closer, and the problem-solving was tons of fun. It made me realize that a ‘bad’ trip often produces the best stories.”

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Brendon McCullum admits ugly airport incident with Seven cameraman ‘wasn’t ideal’ ahead of third Test

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England coach Brendon McCullum has admitted the clash between a team security guard and a Channel 7 cameraman at Brisbane Airport “wasn’t ideal”.

The overzealous security staff physically confronted Seven’s Nick Carrigan as players were preparing to board their flight to Adelaide on Saturday, despite the experienced cameraman keeping a respectful distance between he and the players as they walked through the airport.

WATCH THE VIDEO ABOVE: Security guard shoves cameraman at aiport.

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McCullum said under the concentrated microscope of Ashes coverage, the team has handled itself in a professional manner — but that Saturday’s incident was poor.

“I didn’t see it, but obviously it wasn’t ideal,” McCullum told reporters after landing in Adelaide on Sunday afternoon.

“Hopefully it’s been dealt with, and everyone’s able to move on.

“We know that coming to Australia, there’s a lot of eyeballs and a lot of intense scrutiny on everything you do, and I feel like we’ve managed ourselves pretty well throughout this tour.”

England security lash out at a Channel 7 camera operator.
England security lash out at a Channel 7 camera operator. Credit: 7NEWS

Grilled on the team’s controversial getaway to Noosa, McCullum stood firm that it was an important part of the tour which had been planned 12 months out, regardless of their 2-0 series deficit.

“Noosa was excellent for us; it was planned a year ago and it was quite an important period where we could recalibrate a little bit,” he said.

McCullum also drew criticism after the second Test for saying “if anything”, his side was “over-prepared”, despite skipping tour matches before each of the first two Tests.

“What I meant by us being over-prepared, is we had five intense training sessions, where in my opinion, we left ourselves a fraction short in terms of our energy and ability to play what was in front of us,” he clarified on Sunday.

“On that wicket, it required quite a different game to what you train in the nets. You have to think on your feet, you have to be able to manoeuvre your game.

“If you over-prepare or over-train based on how many balls you hit on a true surface, it can leave you a little over-prepared in that moment.”

England coach Brendon McCullum speaks to Channel 7 commentators after his team went 2-0 down at the Gabba.
England coach Brendon McCullum speaks to Channel 7 commentators after his team went 2-0 down at the Gabba. Credit: Seven

Needing to win in Adelaide to keep the Ashes alive, McCullum has vowed not to make knee-jerk reactions to England’s team, unfazed by the fact his job could be on the line.

McCullum confirmed on Sunday that England would stick with the same top seven for the third Ashes Test, as they fight to stay in the series and avoid going down 3-0.

It means the tourists will keep the under-fire Ollie Pope at No.3, with McCullum declaring there was no consideration at all to move Ben Stokes up the order.

McCullum rarely speaks publicly in the lead-up to matches, but suggested he was doing so on Sunday to take the heat off his players after two big losses.

“Knee-jerk reactions and chopping and changing settled batting line-ups is not really our way,” McCullum said.

“We know we haven’t got enough runs so far in the series. We’ve been in positions where we could have and we’ve made mistakes. That can happen at times.

“But for us to go on and win the series it’s not about throwing out what’s been successful for us over the past few years.

“It’s about having more conviction. It’s about making sure that we have our plans and our disciplines around it screwed down a touch more.

“It’s making sure we walk out and we’re part of the loop and what we’re capable of achieving.”

England coach Brendon McCullum will keep Ollie Pope at No.3 for the Adelaide Test.
England coach Brendon McCullum will keep Ollie Pope at No.3 for the Adelaide Test. Credit: AAP

McCullum believes the flatter Adelaide wicket could suit his side, while also hinting at rotating his bowling attack.

This week looms as potentially era-defining for both McCullum and England, having spent three and a half years preparing for this Ashes tour.

And while the fearless Bazball approach had success early in McCullum’s tenure, the tourists are yet to face 80 overs in an innings in the first two Tests.

McCullum last year inked a new three-year deal to take him until the end of 2027, but the reality is his job could be under threat if England go 3-0 down this week.

“I don’t know (if it is), but it doesn’t really bother me to be honest,” McCullum said.

“You have conviction in what you’re doing, and whatever happens, happens.

“I certainly don’t coach to protect a job. I coach to get the best out of people, and that’s the same with the skipper.

“We came here with high hopes and high expectations. We had a plan that we felt was going to be successful to give ourselves the best chance of being successful.

“We haven’t quite executed that so far and Australia receives those key moments and hence they sit 2-0 up. It doesn’t mean that we throw that plan out.

“Now, if anything, we just need to chisel away at some of the things we haven’t got right and make sure that we still have that conviction in what we’re trying to achieve.”

With AAP

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Hobart Hurricanes power to maiden WBBL title as skipper Elyse Villani gets fairytale retirement

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Former Australia international Elyse Villani has walked away from the WBBL in fairytale fashion after leading the Hobart Hurricanes to their first women’s title.

The Hurricanes now hold the BBL and WBBL trophies after Villani’s chargers romped to an eight-wicket win over Perth Scorchers in front of a 5000-strong home crowd at Bellerive Oval on Saturday.

The 36-year-old, who has played 99 games for Australia, revealed post-match it was her last WBBL game.

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“It’s a fairytale ending and in elite sport it’s very rare to have that,” she said.

“It has been playing on the back of my mind this season and I was hoping this could be the way it finished.

“I was 80 per cent sure this was the way it was going to go to retire after the game, but as soon as we won, I knew this was the moment.”

Villani has played all 11 WBBL seasons, at the Perth Scorchers and Melbourne Stars before Hobart, and finished runner-up three times.

She joined the Hurricanes for the 2022/23 competition, after the team had finished in last spot three of the previous five seasons.

They’ve since built their roster and only dropped two games this year.

The Hobart Hurricanes celebrate their brilliant triumph in the WBBL final over the Perth Scorchers.
The Hobart Hurricanes celebrate their brilliant triumph in the WBBL final over the Perth Scorchers. Credit: AAP

“Sometimes you can have a really good list and feel the pressure of that list,” Villani said.

“But what this group has done really well is that at different points in the season different people performed.”

Villani said she would continue to play for Tasmania in the 50-over format and would move to an off-field role with the Hurricanes.

“Cricket has been something that has been a big part of my life and something I’ll miss a lot but at the same time you can’t sort of live this dream forever,” she said.

The Hurricanes kept Perth to 5-137 before opener Lizelle Lee turned on the jets with an unbeaten 77 from just 44 deliveries.

“I play a high-risk game. Sometimes it pays off and sometimes it doesn’t. I don’t think it has sunk in yet,” Lee said.

Lee’s knock, which included 10 fours and four sixes, came 11 months after Mitch Owen bludgeoned 108 on the same ground to deliver the Hurricanes their first BBL trophy.

“They’ve won it and they’ve set an example. It was great to do the same,” Lee said.

Perth coach Becky Grundy was disappointed her side didn’t put their best foot forward but said she was proud of their fight to get to the decider.

“We would have taken this at the start of the tournament, to be in a final. Unfortunately not to be. They outplayed us,” she said.

Scorchers legspinner Alana King, who was in good form heading into the contest, copped some punishment and went for 0-25 off two overs.

Lee shared a 77-run partnership with England captain Nat Sciver-Brunt (35 off 27) to iron out the majority of the chase.

Earlier, Perth won the bat flip and opted for first knock but struggled to get their innings going, despite Hobart missing chances in the field.

In-form opener Beth Mooney (33 from 26) was dropped three times in the powerplay before being bowled by Heather Graham in the 11th over.

Graham (2-26) also picked up the big scalp of Scorchers’ skipper Sophie Devine.

New Zealand international Devine, who was dropped on 27, was circumspect early but came to life with two sixes, before getting stumped in the 17th over.

Hobart’s English spinner Linsey Smith bowled just two overs but finished with a valuable 2-4.

The Hurricanes earned a direct passage to the final after ending the season atop the table, while Perth, who were gunning for their second title, won two finals games to qualify.

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Want to avoid getting sick on a plane this holiday season? Medical expert reveals best seat

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Americans nationwide are getting ready to travel for the Christmas and holiday season, with many flying to see friends and loved ones. A record 3.1 million travelers were screened by the TSA on the Sunday of Thanksgiving weekend — and even more are expected over Christmas.

But with crowded airports and packed planes, it’s easy for illness to spread.

The biggest risk for travelers won’t be what they touch — but what they breathe, said Dr. Neha Pathak, chief physician editor of health and lifestyle medicine at WebMD. 

NATION’S ‘MOST STRESSFUL’ AIRPORT CALLED OUT IN STUDY FOR POOR CHECK-IN TIMES, DEPARTURE DELAYS

“Most respiratory viruses like flu or COVID spread mainly through the air and [through] close contact, not from tray tables or armrests,” Pathak told Fox News Digital.

She added, “Your hands are really the critical piece here. . . . If you clean them regularly and avoid touching your face, you can dramatically reduce any risk that comes from surfaces.”

Interior of commercial airplane with passengers in their seats during flight.

With packed planes and crowded airports a sure thing this holiday season, it’s easy for illness to spread. A medical expert revealed the best place to sit to avoid getting sick.  (iStock)

She said that when it comes to surfaces, the classic “stomach bug” is the pathogen that concerns her most.

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It’s “incredibly hardy,” she said, referring to viral gastroenteritis — an intestinal infection that includes such symptoms as watery diarrhea, stomach cramps, vomiting or nausea and more, according to the Mayo Clinic. “And it can survive on surfaces for days.”

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She added, “That makes it the perfect candidate for surface transmission in places like airplanes — especially bathrooms and high-touch areas.”

London, UK - May 12, 2013: Flight crew and passengers on board an Easyjet flight from Ajaccio to London. IATA forecast shows that airlines expect to welcome 3.6 billion passengers in 2016.

When it comes to surfaces, the classic “stomach bug” is the pathogen that concerns one medical expert the most. (iStock)

“The virus that gives you vomiting and diarrhea is more likely to hitch a ride on a tray table than the viruses that cause flu or COVID,” she said.

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With that in mind, Pathak revealed that to avoid getting sick, a window seat far from the bathroom is the best place to sit on an airplane. 

Holiday travelers at Chicago airport in busy terminal

A record 3.1 million travelers were screened by the TSA on the Sunday of Thanksgiving weekend — with more expected during Christmas travel.  (Jim Vondruska/Getty Images)

“You will have fewer people brushing past you, less exposure to aisle traffic and, overall, fewer close contacts,” said Pathak.

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She also recommended wearing a mask for those wishing to avoid getting sick.

middle seat airplane

One doctor always turns on her overhead air vent on planes, she said.  (iStock)

Pathak said she turns on her overhead air vent, washes and sanitizes her hands frequently, and avoids touching her face — especially her mouth or nose — while traveling on a plane. 

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SmallRig and FamilyLens Launch Global Family Filmmaking Initiative at 3rd FamilyLens International Film Festival

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The Initiative Aims to Address the Pain Points of Family Filmmaking 

BEIJING, Dec. 13, 2025 /PRNewswire/ — On December 6th, the 3rd FamilyLens International Film Festival opened in Beijing. SmallRig, a global specialized provider of imaging solutions, collaborating with FamilyLens, is empowering family filmmaking through various initiatives, including the Family Filmmaking Co-Creation Initiative, a dedicated family filmmaking kit, and a social impact screening program.

On-site at the 3rd FamilyLens International Film Festival
On-site at the 3rd FamilyLens International Film Festival

Deepening the “Co-Creation Initiatives”

The Co-Creation Initiatives are a series of global creative initiatives open to filmmakers and image creators worldwide. Through deep collaboration across multiple dimensions — including product co-creation, discovery and promotion, and content co-creation — SmallRig aims to expand the boundaries of mobile filmmaking and bring the spirit of Free Your Dream to life with creators everywhere.

Following the launch of the Mobile Filmmaking Co-Creation Initiative at the 14th International Smartphone Film Festival, SmallRig announced the launch of the Family Filmmaking Co-Creation Initiative on December 6th at the 3rd FamilyLens International Film Festival. The initiative invites global creators and every family to participate, focusing on three core directions: product co-creation, work promotion, and content co-creation, to explore the possibilities of family filmmaking for everyone.

Zhou Yang, Founder and CEO of SmallRig, and Gu Xue, Founder and Director of FamilyLens International Film Festival
Zhou Yang, Founder and CEO of SmallRig, and Gu Xue, Founder and Director of FamilyLens International Film Festival

Mr. Zhou Yang, Founder and CEO of SmallRig, shared the inspiration for the initiative: “The initiative is rooted in the immense universality and profound emotional depth inherent in family narratives, which serve as a common emotional bond connecting global audiences. We firmly believe that in this era, where everyone can be a content creator, every family can and should film their own story. The instinct to create is deeply embedded in the human spirit, and every home is the origin of countless narratives.”

Gu Xue, Founder and Director of the FamilyLens International Film Festival, stated: “We hope that people and practitioners around the world who care about family movies can find suitable solutions and gain insights from the Co-Creation Initiatives. We look forward to more and more people exploring the field of ‘Home’ together through this initiative.”

SmallRig experts demonstrate the use of the Family Filmmaking Kit during the workshop
SmallRig experts demonstrate the use of the Family Filmmaking Kit during the workshop

To address the pain points of family filmmaking, SmallRig officially released the SmallRig Family Filmmaking Kit at the opening ceremony. The kit includes a high-quality microphone, fill light, and a portable tripod, specifically designed to achieve “professional function democratization” and “complex feature simplification.” During the FamilyLens Workshop, attendees experienced the convenience of the equipment firsthand. Many expressed that the kit truly solves many problems, enabling ordinary families to complete necessary filming without specialized photography knowledge.

Social Impact Screening Program

The 3rd FamilyLens International Film Festival is open to the public from December 6th to 14th. The festival opened with the screening of well-received documentary: K-Family Affairs. In addition to the competition section, the festival features several distinctive sections, including the Reframing Home Movies— An Italian Retrospective, Youth Film Program,  Filmmaker in Focus, and the Social Impact Program. Four major awards, such as the Real-Life Portrait Award and the Artistic Exploration Award, will also be presented.

As a key component of the Co-Creation Initiatives, the SmallRig Image Development Fund partnered with the FamilyLens International Film Festival to curate the “Social Impact Screening Program.” This unit focuses on elevating awareness of critical issues within the family unit, advocating for a new reflection: “Starting with Seeing, Concluding with Understanding.”

Arum Nam, Director of K-Family Affairs, stated:

“Starting with the stories of your family, your friends, and yourself, I believe this personal narrative can connect directly to the bigger society.”

SmallRig believes that truly meaningful social impact storytelling stems from awareness in proximity—achieved by using the lens to penetrate the daily surface and enabling a deep, empathetic “Seeing with Empathy.”

The four featured works in this unit are:

  • People of the Ascent
  • Granny’s Lost and Found
  • Ruixi at Fourteen
  • No Country For My Maternal Grandma

These films highlight four family issues that require “seeing”: the yearning of left-behind children, the mental isolation of Alzheimer’s patients, the elderly searching for subjectivity in their drifting lives, and the emotional volatility and struggle of Bipolar Disorder.

Strategic Outlook and Future Expansion

SmallRig will continue to support the Family Filmmaking Co-Creation Initiative’s deep development through promotional campaigns and practical workshops focused on family movie scenarios.

The overall goal of SmallRig’s Global Co-creation Initiative is to continuously explore and meet the growing, diverse needs of global creators across different vertical domains. SmallRig is committed to persistently expanding the co-creation model into more imaging sectors, collaborating with industry partners to push the boundaries of imaging and grant global creators broader creative freedom.

About SmallRig

Founded in 2013, SmallRig is an innovation-driven global company that designs and manufactures comprehensive support solutions and accessories for all content creation needs. Trusted by over four million creators globally, SmallRig pioneered the User Co-creation Design (UCD) philosophy and the DreamRig Program.

For more information, visit: www.smallrig.com.

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Collingwood gun Bobby Hill battling hamstring issue in another setback after nightmare year

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Collingwood star Bobby Hill has suffered another setback in his bid to return to the senior team in 2026.

7NEWS reporter Xander McGuire has revealed Hill had an interrupted start to pre-season training, battling the hamstring issue that has further complicated his return to form.

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The 25-year-old was already on a modified program before the injury, meaning he’s yet to complete main training with his teammates.

There is optimism that he’ll return to full training in the new year, but it’s another setback for one of Collingwood’s most dangerous weapons.

Hill managed just one senior appearance after Round 15 this year due to personal issues and a lack of conditioning.

The 2023 Norm Smith medallist came on as the substitute in Round 21, but was overlooked for the Magpies’ two finals.

He was also subjected to trade rumours during the off-season, but nothing eventuated.

Hill, who joined the Pies from GWS at the end of 2022, is contracted until the end of the 2030 season.

Bobby Hill is on a modified program at Collingwood training.
Bobby Hill is on a modified program at Collingwood training. Credit: Getty

Superstar Nick Daicos has also been on light duties after recently revealing to 7NEWS that he pushed through this year’s finals campaign with not one, but two, serious injuries.

Daicos told 7NEWS he had to have an enforced layoff after carrying bone stress in the fifth metatarsal of his right foot through the finals campaign.

The Magpies vice-captain also revealed that he suffered a left posterior cruciate ligament (PCL) injury just days before the preliminary final clash with the Lions.

“I didn’t need any surgery, just more time off,” Daicos told 7NEWS last month.

Determined to push through the pain and inspire his side to success, the injury would have ruled him out for several months if it occurred during the season, but the extent of the damage only came to light through post-season scans.

“I’m building up my training loads (now),” Daicos told 7NEWS.

“It’s been a little bit frustrating at times, you naturally want to be doing everything you can but naturally (they) had to force me to get some time off.”

But Daicos said that had probably been “a good thing” and was hopeful that it would be a benefit “in the long run”.

So, after a quiet off-season, Daicos will now complete just over 50 per cent of training before taking a break over Christmas.

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TSA is giving airline passenger data to ICE for deportation push: NYT

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An employee with the Transportation Security Administration (TSA) checks the documents of a traveler at the Hollywood Burbank Airport in Burbank, California, U.S., Oct. 1, 2025.

Daniel Cole | Reuters

The Transportation Security Administration is giving U.S. immigration officials the names of every airline traveler as part of the Trump administration’s widespread deportation program, The New York Times reported Friday.

TSA, several times per week, gives Immigration and Customs Enforcement a list of travelers expected to be passing through airports, the Times reported.

ICE can then match the list against its own database of people subject to deportation and send agents to the airport to detain those people,” the newspaper said.

ICE and TSA are both divisions of the Homeland Security Department.

A Homeland Security spokesperson, in a statement to CNBC, said of the Times report, “This is nothing new.”

“Back in February, Secretary [Kristi] Noem reversed the horrendous Biden-era policy that allowed aliens in our country illegally to jet around our country and do so without identification,” the spokesperson said. “Under President Trump, TSA and DHS will no longer tolerate this. This administration is working diligently to ensure that aliens in our country illegally can no longer fly unless it is out of our country to self-deport.”

The Times said that it is not known how many people have been arrested as a result of TSA’s information sharing.

But the newspaper said it had obtained documents that indicate the program led to the Nov. 20 arrest at Boston’s Logan Airport of a college student, Any Lucía López Belloza, who was deported to Honduras two days later. López had been on her way to visit her family in Texas for the Thanksgiving holiday.

The Times previously reported that López was brought to the United States from Honduras at age 7, and that her family said neither they nor she knew she was subject to a deportation order.

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National park gift shops are ordered to purge bias-driven DEI and woke merchandise

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As the Trump administration continues to expand its crackdown on diversity, equity and inclusion (DEI), America’s national parks are taking a second look at the merchandise they sell.

A memo sent out by the Department of the Interior on Nov. 25 reiterates Sec. Doug Burgum’s Order 3416, which instructs the implementation of President Donald Trump’s Executive Order (EO) on eliminating diversity-related programs and addressing gender ideology.

National Park Service (NPS) units are instructed to make sure all retail items comply by Dec. 19.

NEW NATIONAL PARK PASSES PUT ‘AMERICAN FAMILIES FIRST’ WHILE TRIPLING ENTRY FEES FOR SOME

The secretary’s order follows the Executive Order (EO), titled “Ending DEI Programs and Gender Ideology Extremism,” signed by President Trump. 

An Interior Department spokesperson told Fox News Digital that to comply with this order, NPS is conducting a review of the retail items it sells.

woman holding pride pen in NPS giftshop

The Department of the Interior has ordered America’s national parks to remove non-compliant merchandise as part of the Trump administration’s effort to eliminate DEI programs.  (AP Photo/Megan Varner)

“The goal is to keep national parks focused on their core mission: preserving natural and cultural resources for the benefit of all Americans,” said the spokesperson. 

“If any items are found to be inconsistent with the Order, they are being removed from sale.”

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Retail items are considered “public-facing content,” making them subject to the order.

If items are identified as “non-compliant,” they “must be removed from sale immediately,” the memo says.

how to be a young anti-racist book at giftshop

“The goal is to keep national parks focused on their core mission: preserving natural and cultural resources for the benefit of all Americans,” said a spokesperson.  (AP Photo/Megan Varner)

Many NPS gift shops are located in visitor centers, which are common in major parks. Some can be found in smaller or remote parks.

Most shops are run by nonprofit partners of the NPS, with funds benefiting visitors and the parks.

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Over 330 million people visited America’s national parks in 2024, according to the NPS.

Bird flying over Yosemite National park, California, USA

Over 330 million people visited America’s national parks in 2024. (iStock)

The Department of the Interior recently announced the launch of “America the Beautiful passes,” offering digital and physical passes to access our nation’s most prized treasures.

The passes are intended to put “American families first” by implementing a new resident-focused fee beginning Jan. 1, 2026.

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Americans can purchase annual passes for $80. Specials are being offered for seniors, allowing them to purchase a $20 annual pass or a lifetime pass for $80.

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Free passes are offered to miliary members, veterans and Americans with permanent disabilities. 

Through the program Every Kid Outdoors, all U.S. fourth-grade students can get a free pass for their school year as well. 

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NETMARBLE REVEALS NEW TRAILER FOR THE SEVEN DEADLY SINS: ORIGIN AT THE GAME AWARDS 2025

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Showcasing a Multiverse Narrative and Intense Multiplayer Boss Battles Set in the Vast Open World

SEOUL, South Korea, Dec. 13, 2025 /PRNewswire/ — Netmarble, a leading developer and publisher of high-quality games, revealed a new trailer for its upcoming open-world action RPG The Seven Deadly Sins: Origin at The Game Awards 2025, held on December 11 (PT) at the Peacock Theater in Los Angeles.

The trailer captivated global audiences with high-resolution graphics powered by Unreal Engine 5 and immersive cinematic storytelling. Highlighting the game’s multiverse narrative, it featured characters like Meliodas and Tristan flying over Britannia on pets, showcasing the game’s expansive open-world experience.

It also revealed real-time cooperative raid battles, where players team up to defeat powerful bosses, underscoring the game’s core feature as a multiplayer-driven open-world RPG. The gameplay focused not only on exploration but also on teamwork and shared challenges. In addition, a key moment hinted at Escanor’s possible return through the multiverse, further building anticipation for fans. 

Following appearances at Summer Game Fest, gamescom ONL, Tokyo Game Show, and G-STAR 2025, The Seven Deadly Sins: Origin maintained its momentum with this latest trailer. Set to launch globally on PlayStation® 5 (console exclusive), Steam, and mobile simultaneously, the game is now available for pre-registration on Google Play, the App Store, and the official website, with wishlist options on PlayStation® 5 and Steam.

Based on the hit Japanese manga and anime IP The Seven Deadly Sins, which has sold over 55 million copies globally, The Seven Deadly Sins: Origin lets players explore Britannia in a vast open world. It features tag-based combat, combination skills, and customizable teams using diverse characters and weapons. Multiplayer elements include forming parties for exploration or teaming up to defeat bosses. 

In October, The Seven Deadly Sins: Origin held a global closed beta test, which received strong feedback with 95% of survey respondents saying they would continue playing after launch.

To stay updated, follow The Seven Deadly Sins: Origin on its official YouTube, X, and Discord channels. 

ⒸNakaba Suzuki, KODANSHA/The Seven Deadly Sins: Revival of the Commandments Project,MBS. All Rights Reserved.

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Photography Awards and Sharing Session at the Palace Museum Highlight Mobile Imaging Technology as a Catalyst for Cultural Exchange

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BEIJING, Dec. 13, 2025 /PRNewswire/ — On December 9, the “Capture the Splendor of the Forbidden City—Diplomats’ Photography Award Ceremony and Image Sharing Session,” part of the “2025 Foreign Diplomats’ Tour of the Forbidden City” program, was successfully held at the Palace Museum. Co-hosted by the Palace Museum, the Beijing Service Bureau for Diplomatic Missions, and China Photo Service, and organized by Photoworld Magazine, the event brought together over 50 diplomatic envoys from more than 30 embassies in China, along with renowned Chinese photographers and other distinguished guests from the business community, to use mobile photography as a medium for cultural exchange and to explore the unique charm of the Forbidden City as a World Heritage Site.

Group photo of attending leaders, diplomatic envoys, and other distinguished guests
Group photo of attending leaders, diplomatic envoys, and other distinguished guests

Attendees included Wang Xudong, Director of the Palace Museum; Xu Yuchang, Secretary-General of Xinhua News Agency; and Zhang Chi, Deputy Director of the Beijing Service Bureau for Diplomatic Missions, who delivered welcome remarks. The speakers highlighted the Forbidden City’s historical and cultural significance and emphasized the role of photography and this initiative as tools for deepening cultural exchange and mutual understanding across borders. H.E. Mr. Hussam Al Husseini, Ambassador of Jordan to China, delivered a speech on behalf of the invited diplomatic envoys. Huang Wen, Deputy Director of Xinhua News Agency’s News & Information Center, provided an overview of the award selection process. Distinguished guests, including Duan Zhipu, Chairman of China Photo Service of Xinhua News Agency; Lou Wei, Executive Deputy Director of the Palace Museum; Yu Meng, Vice President and Vice President of Imaging at vivo; and Chen Liqun, Executive Deputy Editor-in-Chief and Deputy General Manager of Photoworld Magazine, also attended the event.

Wang Xudong, Director of the Palace Museum, delivering a speech
Wang Xudong, Director of the Palace Museum, delivering a speech

Xu Yuchang, Secretary-General of Xinhua News Agency, delivering a speech
Xu Yuchang, Secretary-General of Xinhua News Agency, delivering a speech

Zhang Chi, Deputy Director of the Beijing Service Bureau for Diplomatic Missions, delivering a speech
Zhang Chi, Deputy Director of the Beijing Service Bureau for Diplomatic Missions, delivering a speech

Leveraging the Power of Imagery to Bridge Cultural Exchange

On the occasion of the 100th anniversary of the Palace Museum, the Museum, the Beijing Diplomatic Service, and Xinhua News Agency’s China Photo Service organized a series of photographic cultural exchange activities under the “2025 Foreign Diplomats’ Tour of the Forbidden City” program, inviting participating diplomats to capture the beauty of the Palace Museum through photography. Over 6,000 outstanding works from more than 30 countries were collected, forming a diverse, three-dimensional, and vibrant showcase of the Museum’s vital role as a hub for cultural exchange and mutual learning.

The annual Diplomats’ Photography Awards winners were announced at the event, with attending leaders and guests presenting the awards. The first prize winner, Laura Olivo, Second Secretary of the Embassy of the Dominican Republic in China, said in her acceptance speech: “The scenery of the Forbidden City is truly beautiful, with a clear blue sky, and the five roof ridge beasts reflected on the red walls. I was able to capture such a great photo with just my phone.”

Diplomats’ Photography Award Ceremony
Diplomats’ Photography Award Ceremony

Award-winning work by Laura Olivo, Second Secretary of the Embassy of the Dominican Republic in China
Award-winning work by Laura Olivo, Second Secretary of the Embassy of the Dominican Republic in China

During the Palace Museum Image Art Sharing session, renowned photographer Li Shaobai highlighted how mobile photography can offer a more documentary, authentic, and everyday perspective on the cultural site, helping creators convey vivid Chinese stories to the world. Xing Guangli, Director of the Social News Interview Room at Xinhua News Agency’s Photography Department and Senior Reporter, shared three poetic and enduring frames of the Palace Museum through history. Senior Reporter Jin Liangkuai presented the Palace Museum’s transition from imperial gardens to a public cultural venue through the lens of journalistic documentary photography.

Depicting a Vision of Integrated Development of Technology and Culture

As part of the event, mobile photography works by diplomats and renowned photographers were showcased under the theme “Light & Ink • Forbidden City,” presenting the beauty of the Forbidden City from diverse cultural perspectives. From the intricate layers of red walls and golden roofs to the juxtaposition of palace structures within the same frame, the exhibition transformed the Forbidden City’s architectural, historical, and cultural symbols into shared visual stories of traditional Chinese culture.

“Light & Ink · Forbidden City” Thematic Photography Works
“Light & Ink · Forbidden City” Thematic Photography Works

The exhibition participants shared their impressions of mobile photography and noted that the advanced mobile imaging experience not only helps them capture numerous remarkable moments at the Forbidden City but also allows them to instantly share these moments with family abroad, jointly appreciating the charm of China’s historical and cultural heritage.

Attending diplomats lingered to view the featured photographic works
Attending diplomats lingered to view the featured photographic works

On the same day, these photographic works were also displayed at Beijing Fang, an iconic landmark along the city’s central axis, forming a themed exhibition alongside historical photos of the Forbidden City and images of the central axis scenery. The exhibition presented historical and contemporary stories of the central axis through different time periods and perspectives, attracting the attention of a multitude of photography enthusiasts. It also featured selections from over 50,000 photos submitted to the “Beijing Central Axis • Images of the Era” Mobile Photography Initiative, supported by vivo, highlighting the role of mobile imaging technology in spurring cultural innovation.

“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition
“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition

“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition
“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition

“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition
“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition

“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition
“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition

“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition
“Beijing Central Axis · Images of the Era” Mobile Photography Exhibition

As cross-cultural exchanges deepen, visual media such as mobile photography, powered by the technological innovations of companies like vivo, are playing an increasingly pivotal role in transforming historical and cultural heritage into shared experiences, dialogues, and stories.

About vivo

vivo is a technology company that creates great products based on a user-oriented value, with smart devices and intelligent services as its core. The company aims to build a bridge between humans and the digital world. Through unique creativity, vivo provides users with an increasingly convenient mobile and digital life. Following the company’s core values, which include Benfen*, user-orientation, design-driven value, continuous learning, and team spirit, vivo has implemented a sustainable development strategy with the vision of developing into a healthier, more sustainable world-class corporation.

While bringing together and developing the best local talents to deliver excellence, vivo is supported by a network of R&D centers in Shenzhen, Dongguan, Nanjing, Beijing, Hangzhou, Shanghai, Xi’an and more cities, focusing on the development of state-of-the-art consumer technologies, including 5G, artificial intelligence, industrial design, imaging system and other up-and-coming technologies. vivo has also set up an intelligent manufacturing network (including those authorized by vivo), with an annual production capacity of nearly 200 million smartphones. As of now, vivo has branched out its sales network across more than 60 countries and regions and is loved by more than 500 million users worldwide.

*”Benfen” is a term describing the attitude on doing the right things and doing things right – which is the ideal description of vivo’s mission to create value for society.

Stay informed of latest vivo news at https://www.vivo.com/en/about-vivo/news 

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